"Man in a red jacket" - Based on Boris Grigoriev, Circa 2010
Painting : oil, cardboard · 55 x 50 x 2 cm 21.7 x 19.7 x 0.8 inch
€650
650 €
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Shipped from: Ukraine
Delivery to: Germany , € 48
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
55 x 50 x 2 cm 21.7 x 19.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
1653
This painting, inspired by the distinctive style of Boris Grigoriev, captures the rugged charm and wisdom of rural life. The central figure, an elderly man in a vibrant red jacket, exudes a sense of resilience and deep connection to his land. The weathered face, marked by deep lines and thoughtful eyes, reflects a lifetime of hard work and perseverance. In the background, scenes of traditional rural life unfold, with a farmer tending to his daily tasks and animals patiently awaiting their turn in the fields. The simplified forms, bold color contrasts, and geometric shapes in the composition echo Grigoriev's characteristic approach, emphasizing the strength and endurance of rural communities. Konotopsky uses this piece to pay homage to the enduring spirit of the Ukrainian countryside, celebrating the dignity and fortitude of its people. The vibrant red jacket serves as a symbol of life and vitality, standing out against the more muted tones of the surrounding landscape, reinforcing the idea of individual strength amidst the challenges of rural life.
Presentation
Viktor Konotopsky was born in 1967 in the village of Maleshkovka, Nedrigailovsky district, Sumy region.
Graduated from the Kharkiv State Art School and the Faculty of Arts of the Saratov State Pedagogical University named after Makarenko.
Worked as a drawing and drafting teacher, and an artist in the advertising field.
In the 90s, he lived and worked in Poland (Krakow and Szczecin) and St. Petersburg.
Viktor had many temptations to catch some fashionable artistic disease, but he remained himself.
Judging his painting by the standards of world artistic fashion is as absurd as declaring love with the memorized words of a popular literary hero. In this sense, it is naive, but the naivety of a professionally educated person. His paintings are realistic, although stylized. The landscapes are easily recognizable, but they contain a generalization leading to an image.
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