Personal borders, 2022
Dizlarka   Best sellers

Painting : oil · 30 x 30 x 5 cm 11.8 x 11.8 x 2 inch · Ready to hang

€324 324 €
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Shipped from: United States

Delivery to: Germany , € 51

Estimated delivery: Less than one week

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 30 x 5 cm 11.8 x 11.8 x 2 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

My artwork "Personal borders" explores the intersection of personal and social boundaries. 

At its center is my hand—an individual map created with a unique handprint and fingerprints. In palmistry, the lines on a palm are said to reveal one's destiny, yet here, the hand's edges blur, reflecting the struggle to define personal limits. These boundaries are marked by a dotted line—tentative, uncertain, and ever-shifting. 

The background, composed of geometric squares, resembles a fragmented world map viewed from above. This symbolizes the broader societal landscape, where boundaries—moral, physical, gendered, territorial—are constantly questioned and redefined. 

The artwork speaks to the challenge of setting boundaries in an ever-changing world. Rules and limitations can bring order, but they can also lead to stagnation or even dangerous ideologies. How does one find balance? That remains a deeply personal question—one each individual must answer for themselves.
 

Dizlarka, Personal borders

Dizlarka

Spain  • 1983

Presentation

Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.

Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.

Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.

Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.

Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?

Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.

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