Rifle, 2010
Robert Saller  

Painting : acrylic, mixed media · 115 x 140 x 2 cm 45.3 x 55.1 x 0.8 inch · Ready to hang

€8,200 8 200 €

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Shipped from: Ukraine

Delivery to: Germany , € 800

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

115 x 140 x 2 cm 45.3 x 55.1 x 0.8 inch Height x Width x Depth

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Description

Robert Saller's Rifle (Acrylic and Luminophore on Canvas, 115 x 140 cm, 2010) is part of his daring Man Woman Blackout project, where relationships are dissected through the lens of Pop-Art stylisation and irony.

The work depicts a couple in a kiss, but the romance is unsettled by pale outlines of a rifle blueprint across the background. In normal light, these lines remain subtle, almost ghostly; in darkness, they glow vividly thanks to the luminophore pigment, turning the canvas into a double image – desire on one level, weaponry on another.

The title Rifle underscores the central metaphor: intimacy and danger exist side by side. Saller himself has explained that the series was inspired by the aftermath of a long-term breakup, unofficially titling it How to Get Rid of Your Ex. With its layered humour, sharp contrasts, and technical ingenuity, Rifle is an outstanding example of the artist's ability to merge Pop-like visual codes with deeply personal narrative.

Robert Saller, Rifle

Robert Saller

Ukraine  • 1967

Presentation

Robert Saller (b. 1967) is a Ukrainian contemporary artist known for his bold fusion of pop art aesthetics, conceptual satire, and post-Soviet critique. A graduate of the Uzhhorod College of Applied Arts, Saller has been a key member of the underground art group Poptrans since 1996. He now lives and works in Lviv, Ukraine.

Saller primarily works with acrylics, rarely using brushes. Instead, he applies paint through layers of stencils using rollers and sponges, creating a graphic, print-like texture reminiscent of Roy Lichtenstein's visual language. Yet beneath the surface gloss lies biting irony and psychological depth. His works often deconstruct gender dynamics, emotional trauma, and cultural mythologies through a visual language of seductive colours and familiar iconography.

In his acclaimed Man Woman Blackout series, Saller uses luminophore pigment to make hidden elements glow in the dark – a literal metaphor for the unseen layers of human relationships. Other notable series, such as Bad Beautiful and Carpathian Album, reframe innocence, nationalism, and nostalgia with unsettling wit.

Robert Saller's artworks are at once visually striking and intellectually disarming, drawing the viewer into a world where irony, violence, and desire coexist just beneath the surface.

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