Love Won't Tear Us Apart, 2018
Print : Screen Print · 100 x 70 cm 39.4 x 27.6 inch
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 69
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 150 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
100 x 70 cm 39.4 x 27.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Original DFACE screenprint signed and numbered by the Artist. DFACE embossed blind stamp in the paper at the bottom right. Hand numbered 82/150 by D*FACE.
This work was painted by the Artist on a building in the 13th arrondissement of Paris (see photo).
This striking work presents an intriguing scene where an elegant woman with blond hair, dressed in a passionate red dress, embraces a hard-faced man. The contrast is striking between the retro aesthetic of the characters and the skull, which evokes a mysterious and cinematic iconography. The couple's clothes are depicted in bright and contrasting tones, accentuating the intensity of the embrace. The light blue dotted background recalls the weave techniques of 1950s comics and the works of Roy Lichtenstein in particular, adding a nostalgic and graphic texture to the image. This stylistic choice reinforces the timeless visual effect of the work, creating a perfect bridge between past and modernity. The most unique aspect of this creation lies in the mixture of tenderness and incongruity. The mask worn by the man, unusual in a romantic context, initiates a reflection on the themes of identity and appearances. This bold juxtaposition invites the viewer to explore the nuances of love and anonymity. In short, this work reveals itself as a masterful fusion of artistic and narrative styles, captivating the viewer with its emotional depth and resolutely original aesthetic.
Presentation
D*Face is an English multimedia street artist who uses spray paint, stickers, posters, and stencils.
"D*Face", a.k.a. Dean Stockton, grew up in London and had a childhood interest in graffiti. He credits this to Henry Chalfant's coverage of subway graffiti in New York City in Spraycan Art and Subway Art, later as a teenager skateboarding and in particular Thrasher magazine's coverage of skateboard deck graphics led his interest in stickers and the DIY mentality associated with skate and punk fanzines. He attended an illustration and design course and worked as a freelance illustrator/designer whilst honing his street work. Influences included Shepard Fairey's "Obey Giant" art campaign, Jim Philips, hip hop, punk music, and popular animated cartoons.
He held his first major London solo exhibition, Death & Glory, at the Stolenspace gallery, which sold out in October 2006. Since then, his exhibitions have included a solo show, Eyecons, at O Contemporary in Brighton in March 2007, again a sell out show. This featured new paintings, an installation and two prints — of Kurt "Kant Complain" and Cli-Che.
D*Face was the owner and curator for the Outside Institute, London's first contemporary art gallery to focus on street art. In 2005 the Outside Institute moved and re-branded to become the Stolen Space Gallery. In 2010, he collaborated with Christina Aguilera, on her album cover of Bionic. In October 2013 D*Face took part in Art Wars at the Saatchi Gallery curated by Ben Moore. The artist was issued with a stormtrooper helmet, which he transformed into a work of art. Proceeds went to the Missing Tom Fund set up by Ben Moore to find his brother Tom who has been missing for over ten years. The work was also shown on the Regents Park platform as part of Art Below Regents Park.
D*Face's most recent project was doing the cover art for the Blink-182 album California, which was released on July 1st, 2016.
Reviews from our customers
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