L'oeil qui reste, 2026
Painting : oil, acrylic, marker · 80 x 60 x 2 cm 31.5 x 23.6 x 0.8 inch · Ready to hang
€1,460
1 460 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 175
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 60 x 2 cm 31.5 x 23.6 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
This work is distinguished by its bold and expressive style, fusing Cubism and Expressionism. The face, broken down into geometric shapes, presents a play of vibrant colors: blue, orange, and white, accentuated by a dynamic background of aggressive lines and almost tactile textures. The single, disproportionately large eye, vibrant with pink, immediately draws the eye, conveying an almost hypnotic intensity. The expressive red lips lend an emotional dimension to this enigmatic figure. In the background, shades of gray and abstract patterns add depth and movement, creating an impression of inner conflict. The entire painting, embellished with engraved elements, evokes a quest for identity or introspection, inviting the viewer to explore the complexity of the human soul through a single glance.
Presentation
I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.
I express myself through painting as others scream or cry.
I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.
My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.
My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.
If my paintings could speak, they would surely say:
“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.
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