Whaves, Circa 2025
Photography : mixed media · 92 x 62 x 2 cm 36.2 x 24.4 x 0.8 inch · Ready to hang
$3,366
3 366 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 505
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
mixed media on paper
Dimensions ( cm • inch )
92 x 62 x 2 cm 36.2 x 24.4 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
94 x 64 x 3 cm 37 x 25.2 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2013 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This captivating artwork presents a bold composition of marine motifs, framed by a natural wood border that accentuates its elegance. By dividing the image into vertical bands, the artist manipulates visual perception and plays with linear geometry to recreate the dynamic power of the ocean. Two semicircles interconnect harmoniously, inviting the viewer to explore duality and balance, while highlighting the cyclical nature of the tides. Shades of blue and white create a striking contrast, evoking the raw force of the waves and the tumultuous energy of the sea. Through this unique approach, the artwork establishes a dialogue between order and chaos, serenity and storm, while capturing the ceaseless essence of aquatic movement.
Presentation
Quentin DMR cuts his photographic portraits into regular strips, which he reorganizes in a structured disorder. The eye once again engages in a mental operation to reconstitute an identity. Between puzzle and memory, we appeal to our visual memory, but also take the time to dwell on the details that make the personality and the singularity of the model portrayed.
Quentin DMR cuts his photographic portraits into regular bands, which he rearranges in a structured mess. The eye, again, engages in a mental operation to reconstitute an identity. Between puzzle and memory, we call on our visual memory, but also take the time to dwell on the details that make up the personality and uniqueness of the model portrayed.
- Cyrille Gouyette, Exhibition curator and art historian
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