Ne me regarde pas comme ça, 2025
Eric Doisy  

Painting : oil, marker · 80 x 60 x 2 cm 31.5 x 23.6 x 0.8 inch · Ready to hang

€1,460 1 460 €
Shipping & delivery

Shipped from: France

Delivery to: Germany , € 120

Estimated delivery: One to two weeks

Free returns within 14 days, full refund

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

80 x 60 x 2 cm 31.5 x 23.6 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2017 • Top Seller

Description

This portrait is striking due to its raw power. The face, with its distorted proportions, immediately captures the gaze. Exaggerated eyes and visible teeth create a direct dialogue with the viewer. 
The artist uses oil sticks and markers to build this composition. The material is thick, applied with instinct. The physical contact with the paint reveals a wild energy. 
The contrast of colors emphasizes an inner tension. The bright orange of the face opposes the deep green of the bust. Simple geometric shapes punctuate the clothing. 
The background, tormented and grayish, accentuates the character's presence. This face acts as a mirror, oscillating between the figure of the clown and that of a monster. 
The approach is in line with raw art. Every line reveals a desire to express without filter. The composition plays on the opposition between wisdom and anarchy. 
This 2025 creation prioritizes instinct over academic rigor. The final rendering is characterized by strong black outlines and saturated color blocks.

Portrait

Art brut

figurative

Colors

Expressionism

Faces

orange

Green

Eric Doisy, Ne me regarde pas comme ça

Eric Doisy

France  • 1965
88 followers

Presentation

I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.

I express myself through painting as others scream or cry.

I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.

My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.

My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.

If my paintings could speak, they would surely say:

“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.

Reviews from our customers

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