Monolith trace, 2026
Gabriela Aleksandra Szuba  

Painting : acrylic, canvas, Pigments, mixed media · 40 x 40 x 4 cm 15.7 x 15.7 x 1.6 inch · Ready to hang

€580 580 €
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Shipped from: Italy

Delivery to: Germany , € 70

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Dimensions ( cm • inch )

40 x 40 x 4 cm 15.7 x 15.7 x 1.6 inch Height x Width x Depth

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Credentials

Vetted seller since 2025

Description

This abstract composition evokes a powerful sense of emotional terrain. Deep crimson and earthy browns collide with pale, ghostly greys. The surface is a visceral landscape of texture. Heavy impasto and crackle paste create a rugged topography. These fractures suggest scars and ancient memories. 
The artist transforms acrylics into a meditative dialogue between strength and vulnerability. A dark, sweeping arc dominates the center. It pulses with an organic energy. This dense core contrasts sharply with the luminous, airy fringes of the canvas. 
The artwork does not describe a scene but evokes a state of being. It lingers in the space between silence and tension. There is a sacred quality to the imperfection of the material. Each layer adds a dimension of spiritual depth. The ethereal white accents appear like distant stars or fragments of light piercing through a storm. The result is a contemplative atmosphere that balances raw drama with profound stillness. The gaze is drawn into a suspended realm where pigment becomes a secular prayer. The composition concludes with a delicate interplay of muted tones and granular textures.

Gabriela Aleksandra Szuba, Monolith trace
Italy  • 1974

Presentation

Gabriela Aleksandra Szuba, known as GAS, is a Polish artist based in Italy. With an academic background in economics, she later embraced an autonomous artistic journey, driven by a deep spiritual search and the desire to give form to the unseen.

Her work emerges from silence and unfolds as a meditative act. Using acrylics, crackle paste, pigments and gold leaf, GAS crafts vibrant, textured surfaces where every fracture holds memory and every layer becomes emotional terrain. The material becomes time, the crack a scar, and the gold a glimmer of sacred presence.

Her paintings do not depict; they evoke. Cracks speak of vulnerability and strength, of a holiness revealed through imperfection. Her palette — deep, restrained, at times dramatic — opens contemplative spaces, poised between tension and stillness, body and spirit.

Each title is a threshold: a symbolic entry into a suspended realm where visual language becomes meditation, a secular prayer, a passage through the invisible.

Her works have been exhibited in Italy, Switzerland, Argentina, and the United Kingdom, in spaces dedicated to contemporary research and the dialogue between artistic languages. For GAS, every exhibition is a natural extension of the creative process — a moment of shared introspection.

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