Oblivion seed, 2025
Painting : acrylic, chalk, sand, mixed media · 40 x 40 x 4 cm 15.7 x 15.7 x 1.6 inch · Ready to hang
€580
580 €
Shipping & delivery
Shipped from: Italy
Delivery to: Germany , € 70
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
acrylic , chalk , sand , mixed media on canvas
Dimensions ( cm • inch )
40 x 40 x 4 cm 15.7 x 15.7 x 1.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
This abstract composition explores the intersection of spirituality and materiality. The surface reveals a complex topography of cracks and textures. It acts as a meditative terrain where varje fracture becomes a mark of memory. Muted tones of grey and earth blend into a weathered patina. The application of crackle paste creates a tactile language of vulnerability and strength.
The gaze wanders through fragmented layers that evoke ancient walls or cosmic maps. These fissures represent a sacred imperfection. The palette remains restrained to foster a sense of profound stillness. Tension exists between the dense accumulation of pigments and the vacant spaces.
The artwork does not illustrate a scene but evokes an emotional state. It transforms a physical plane into a threshold for introspection. Each line suggests a passage through the invisible. The final result is a dialogue between the body and the spirit. The focus rests on the raw interaction of acrylics and minerals across the canvas.
Presentation
Gabriela Aleksandra Szuba, known as GAS, is a Polish artist based in Italy. With an academic background in economics, she later embraced an autonomous artistic journey, driven by a deep spiritual search and the desire to give form to the unseen.
Her work emerges from silence and unfolds as a meditative act. Using acrylics, crackle paste, pigments and gold leaf, GAS crafts vibrant, textured surfaces where every fracture holds memory and every layer becomes emotional terrain. The material becomes time, the crack a scar, and the gold a glimmer of sacred presence.
Her paintings do not depict; they evoke. Cracks speak of vulnerability and strength, of a holiness revealed through imperfection. Her palette — deep, restrained, at times dramatic — opens contemplative spaces, poised between tension and stillness, body and spirit.
Each title is a threshold: a symbolic entry into a suspended realm where visual language becomes meditation, a secular prayer, a passage through the invisible.
Her works have been exhibited in Italy, Switzerland, Argentina, and the United Kingdom, in spaces dedicated to contemporary research and the dialogue between artistic languages. For GAS, every exhibition is a natural extension of the creative process — a moment of shared introspection.
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