Bronze Sculpture for Sale
Painting : aluminium · 96 x 64 x 6 cm 37.8 x 25.2 x 2.4 inch
Shipped from: France
Delivery to: Switzerland , CHF 90
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
96 x 64 x 6 cm 37.8 x 25.2 x 2.4 inch Height x Width x Depth
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Second part of the series. Same framing, same minuscule grid, same gaze that holds you — but a subject that changes everything. Where the giraffe offered a coat made for color, the zebra poses the inverse problem: how to bring to life a surface that is, in principle, only black and white?
The answer lies in the refusal of this black and white. Look closely: the light stripes are never white. They are pink, mauve, lavender, ivory, pearl gray, sand, pale turquoise — an accumulation of pastel shades that do not belong to any zebra, and which, assembled, produce exactly the nacre of a coat under the light. The dark stripes, they, mix browns, blacks, warm grays, earth tones, and deep blues. No pure color, never. It is by refusing the two expected colors that Brick Board Builder achieves the real thing.
The result is an image that resists. The striped motif of the zebra is camouflage, an optical blur: nature designed it so that one cannot distinguish where the animal begins. Translated into bricks, this blur is doubled, and a real step back is needed for the muzzle, the cheek, the muzzle flare to take shape. Then, in the center, the eye lights up — a hot spot of amber, oranges, and coppers, the only truly saturated accent in the painting. The entire composition, all this noise of stripes, exists only to lead the eye there.
Pointillism is not a figure of speech here, it is the method. By reducing the module to its smallest unit, BBB recovers the gesture of painters who placed color by dots without ever mixing it, leaving to the viewer's eye the task of synthesis. Each brick is a touch, each row a hesitation, and the image only forms in the distance.
No brick was placed according to a plan. Each element was chosen by hand, from a stock of used LEGO® bricks arriving in bulk from all over France and sorted one by one — some of which come from solidarity reuse through the Rejoué association. Pieces without history that find their own. With this level of grid finesse, the quantity of pieces handled is in the tens of thousands: this work can never be reproduced identically.
No impression, no reproduction, no artificial intelligence. A constructed work, numbered and delivered with its certificate of authenticity and signed on the back.
The art of pixel pop.
“I deal with the constraints of brick as others deal with painting."
Gregory, aka BBB, doesn't paint: he builds. Brick by brick, pixel by pixel, he assembles art with patience, precision... and a certain playfulness.
Trained in interior architecture and technical drawing, he diverts LEGO – a universal, almost childlike material – to create a unique, vibrant, unexpected visual language.
His works combine technical rigor, subtle narrative, and nods to pop culture. From afar, a familiar image. Up close, a complex world. What he creates are slow surprises. Each painting reveals itself in two stages: first the obvious, then the strangeness, the detail, the hidden emotion.
It's an art of patience and pixels, a meticulous construction game that thwarts our perception. BBB revisits icons of contemporary visual culture—mythical characters, musical figures, popular heroes—and slips into them his own grammar, made of rhythm, silence, and graphic tension. He doesn't play with LEGO. He plays with complexity. With our gaze. With the pleasure of revealing the unexpected.
All our reviews are extracted from Verified Reviews
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