Dehors Dedans 3, 2026
Painting : oil · 73 x 50 x 2 cm 28.7 x 19.7 x 0.8 inch · Ready to hang
$4,062
4 062 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 186
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
73 x 50 x 2 cm 28.7 x 19.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2013 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Two figures face each other in a space suspended between interior and exterior. The line is supple. The bodies settle on a sofa outlined by a bright pink contour. This electric line guides the gaze and structures the composition.
The oil technique favors materiality here. The paint is applied generously. It sculpts the volumes and gives relief to the dark clothes. The faces remain suggested. Their blurred outlines leave room for interpretation and the intimacy of the moment.
The background opens up to a dreamlike garden. Stylized trees are silhouetted against a sky with muted and warm tones. The contrast between the depth of violet and the clarity of ochre tones creates a velvety atmosphere. The scene captures a moment of daily life with tactile precision. The balance of masses and the saturated palette reinforce the narrative dimension of this double portrait created in 2026.
The oil technique favors materiality here. The paint is applied generously. It sculpts the volumes and gives relief to the dark clothes. The faces remain suggested. Their blurred outlines leave room for interpretation and the intimacy of the moment.
The background opens up to a dreamlike garden. Stylized trees are silhouetted against a sky with muted and warm tones. The contrast between the depth of violet and the clarity of ochre tones creates a velvety atmosphere. The scene captures a moment of daily life with tactile precision. The balance of masses and the saturated palette reinforce the narrative dimension of this double portrait created in 2026.
Presentation
Born in 1972 in Cambrai, France, Vincent Ruffin lives and works in La Rochelle.
His style of painting is genereous and sensual, his powerful landscapes and portraits touch the viewer. The paint he displays on the canvases is thick, there is incredible richness in the materials he uses, the colors he chooses, as if he was modeling his pigments and his points of view that give intensity to the perspective, with abyssal depths. Armed with a solid technique, he searches for new narrative styles and diversity in his work.
Vincent Ruffin treats the painting as a sculpture that he “carves”; he works on its surface, its texture and its feel. In his paintings, an arid plain becomes a vertiginous landscape and a smooth face – a relief in which capricious streams have been chiseled. Each subject has fleeting contours that let raw emotion emerge, the model’s history transpire; the history we believe we can guess, the one we know, the one we dream of. Colors are vibrating: saturated, modeled, cut raw. The curves flow slowly, setting all the grace and the fragility of the moment free for us to admire.
His style of painting is genereous and sensual, his powerful landscapes and portraits touch the viewer. The paint he displays on the canvases is thick, there is incredible richness in the materials he uses, the colors he chooses, as if he was modeling his pigments and his points of view that give intensity to the perspective, with abyssal depths. Armed with a solid technique, he searches for new narrative styles and diversity in his work.
Vincent Ruffin treats the painting as a sculpture that he “carves”; he works on its surface, its texture and its feel. In his paintings, an arid plain becomes a vertiginous landscape and a smooth face – a relief in which capricious streams have been chiseled. Each subject has fleeting contours that let raw emotion emerge, the model’s history transpire; the history we believe we can guess, the one we know, the one we dream of. Colors are vibrating: saturated, modeled, cut raw. The curves flow slowly, setting all the grace and the fragility of the moment free for us to admire.
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