Tatacoa I. Pigment Prints, 2016
Photography : archival pigment print · 110 x 91.9 x 0.3 cm 43.3 x 36.2 x 0.1 inch
$3,500
3 500 $US
Shipping & delivery
Shipped from: Colombia
Delivery to: United States , $ 310
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 5 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
110 x 91.9 x 0.3 cm 43.3 x 36.2 x 0.1 inch Height x Width x Depth
Sold by
Credentials
Vetted seller since 2019 • Top Seller
Description
This striking black and white photograph captures the austere beauty of eroded badlands. The rugged landscape features sharp ridges and deep crevices, showcasing layers of textured earth worn by time and elements. The monochrome palette emphasizes the stark contrasts between light and shadow, enhancing the visual drama. The cloudy sky above adds depth and complements the rugged ground, creating a harmonious balance between earth and air. The photo’s high level of detail invites viewers to appreciate the intricate patterns and natural geometry of the terrain. Through its timeless and raw portrayal, this artwork highlights the relentless power of nature and the dynamic processes that shape our planet.
Presentation
Miguel Winograd is a Colombian photographer. After years of graduate study in Latin American History, he completed the documentary photography program at the International Center of Photography (ICP) in New York. His personal work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. Occasionally, he prefers to make portraits of trees. His work has been exhibited in New York, Berlin, Mexico City and Bogotá, and published in different media, including The New York Times and The New Republic.
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