Ánimas Chingaza, Pigment Prints, 2018
Miguel Winograd  

Photography : archival pigment print · 61 x 50.8 x 0.3 cm 24 x 20 x 0.1 inch

€837 837 €
Shipping & delivery

Shipped from: Colombia

Delivery to: Spain , € 279

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 7 copies

7 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

61 x 50.8 x 0.3 cm 24 x 20 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2019 • Top Seller

Description

This artwork masterfully captures the ethereal beauty of a solitary structure shrouded in dense fog. The monochromatic palette enhances the sense of mystery and isolation, with the building's silhouette emerging from the mist like a distant memory. The fog blurs the boundaries between land and sky, creating an infinite, dreamlike expanse. The house, perched on what seems to be a rocky hill, suggests themes of loneliness and introspection, inviting the viewer to ponder its story. The road on the left leads the eye into the composition, contributing to the depth and guiding the viewer’s journey through the scene. The limited visibility evokes an eerie stillness, compelling the observer to focus on the hints of texture and shadow. The artwork’s unique interplay of light and obscurity is both haunting and serene, leaving a lasting impression of quiet contemplation.

Landscape

Mountain landscapes

Fog

Landscape

Trees

Colombian Art

Nature

Miguel Winograd, Ánimas Chingaza, Pigment Prints
Colombia  • 1984
53 followers

Presentation

Miguel Winograd is a Colombian photographer. After years of graduate study in Latin American History, he completed the documentary photography program at the International Center of Photography (ICP) in New York. His personal work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. Occasionally, he prefers to make portraits of trees. His work has been exhibited in New York, Berlin, Mexico City and Bogotá, and published in different media, including The New York Times and The New Republic. 

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