#9. From La Piedra Sustituta II Series, 2020
Photography : color edition, archival pigment print · 101.6 x 65 x 0.3 cm 40 x 25.6 x 0.1 inch
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Delivery to: Spain , € 279
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
101.6 x 65 x 0.3 cm 40 x 25.6 x 0.1 inch Height x Width x Depth
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Credentials
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Description
#9, 2020 by Jose Sierra From "La Piedra Sustituta II" Series Archival Pigment Print on Hahnemühle paper
Image size: 40 in. H x 25.6 in. W Edition of 10 + 1AP Unframed
More Editions & Sizes Small: 24 in. H x 15.4 in. W. Edition of 10 + 1AP
This provocative artwork presents a striking interplay between the human form and vivid color. Set against a bold red background, the piece features the back of a nude male figure, captured mid-motion. The tension in his muscular posture emphasizes the physicality and inherent tension within the scene, drawing attention to the dynamic interplay of light and shadow across his skin. A vertical metal rod with a pink fabric element introduces an intriguing contrast, both in texture and hue, accentuating the composition's visual tension. The minimalist setting, devoid of distractions, forces the viewer’s focus onto the form and the emotive qualities of the pose. This artwork invites contemplation of themes such as vulnerability and strength, challenging conventional perceptions of the human body in art. The deliberate choice of color and form makes this piece both captivating and thought-provoking, pushing boundaries in its exploration of human expression.
"La Piedra Sustituta" Series Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being "pointed at" or rather as self-pointing. The stone is taken by the body that is unprotected as a metaphor for the weakness that seeks protection, and the body is taken by the stone as a consequence of an insecure state, how can a stone take a body? If this is the one that "institutionally" does it.
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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