The kiss group of 8, 2012
Photography : color edition, archival pigment print · 108 x 239.8 x 0.3 cm 42.5 x 94.4 x 0.1 inch
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About the artwork
Type
Photography : numbered and limited to 3 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
108 x 239.8 x 0.3 cm 42.5 x 94.4 x 0.1 inch Height x Width x Depth
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Credentials
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Description
This artwork presents a striking series of eight photographic frames capturing an individual engaging with a transparent, flexible barrier. Each frame portrays a unique interaction, exploring themes of confinement and intimacy, as the figure presses and stretches the material, distorting both form and perception. The soft lighting and minimal background accentuate the tension between flesh and fabric, highlighting the contours of the body and the elasticity of the material. The progression of movements across the sequence conveys a narrative of struggle and curiosity, enticing viewers to reflect on the boundaries that confine and define personal space. This composition masterfully combines the starkness of minimalism with the complexity of human emotion, creating a compelling visual dialogue that challenges the viewer to contemplate the nature of physical and psychological boundaries. The artwork stands out for its innovative use of materials and its evocative exploration of the human condition.
The Kiss was a self-taken photograph and was part of her solo exhibition in New York at the Art Space Location One, in 2012. The Kiss maps a system uniting two bodies. It is a gesture magnified by the use of sound emerging from the action of kissing and intensified by the working presence of the performer’s body. “The Kiss” (is a long durational performance), a breathing system where the performer’s body becomes the intersection enabling the entire organism to work, reveals the intricate rhythm between lungs, fluids, and muscles while kissing.
Presentation
María José Arjona (b.1973 in Santa Fe de Bogotá, Colombia) lives and works in her native Bogota.
The Kiss was a self-taken photograph and was part of her solo exhibition in New York at the Art Space Location One, in 2012. The Kiss maps a system uniting two bodies. It is a gesture magnified by the use of sound emerging from the action of kissing and intensified by the working presence of the performer's body.
“The Kiss" (is a long durational performance), a breathing system where the performer's body becomes the intersection enabling the entire organism to work, reveals the intricate rhythm between lungs, fluids, and muscles while kissing. The body is the kiss: the plane of action created by it. This intersecting plane finds its translation into sound via the repetitive action of inflating and deflating two huge latex balloons."
Maria José Arjona is a performance artist focused on affirming the body through long durational exercises addressing process, time, memory and power. Her performances have been exhibited in museums and galleries in South America, Europe, China, and the United States and have been reviewed by Art Nexus, Arte Al Dia, The New York Times, The Guardian (UK), Whitewall Magazine, The Miami Herald, El Nuevo Herald, and many others. She participated as a re-performer at Marina Abramovic's retrospective at The Museum Of Modern Art in New York and started touring with her own work at The Madre Museum in Naples (Italy) as part of the program “Corpus, Arte In Azione". The itineration of this project includes locations in Bologna (Italy), Bergen and Oslo (Norway), New York (US), Vienna (Austria) and will end in 2010 in Colombia as part of the National Salon sponsored by the Ministry of Culture of Colombia.
Arjona will have a solo exhibition in 2018 at the Museum of Modern Art in Bogota.
Find this artist and many more in our collection of works from the dance photography movement.
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