Trench Coat Reveal, Circa 1990
Photography : fine art print · 83.8 x 119.4 x 0.3 cm 33 x 47 x 0.1 inch
$590
590 $US
Shipping & delivery
Shipped from: Australia
Delivery to: United States , $ 108
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 20 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
83.8 x 119.4 x 0.3 cm 33 x 47 x 0.1 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • Australia
Credentials
Vetted seller since 2022
Discount
This seller offers discount when you purchase multiple artworks.
Description
In 1990, Tony Potts creates a powerful black-and-white study of the human figure, exploring the relationship between form, gesture, and light. The subject stands outdoors with arms raised, the trench coat opening to frame the body in a way that recalls classical sculptural poses while remaining unmistakably contemporary in its directness.
Potts' careful control of tonal contrast emphasises the body's contours and volume, shaping the figure through shadow and highlight with a strong sense of dimensionality. The surrounding environment is rendered softly out of focus, allowing the natural textures to recede and placing the emphasis on the subject's presence and posture. The garment becomes a compositional device—its lines and folds creating structure, rhythm, and negative space around the figure.
Balancing the language of fashion photography with the tradition of fine-art nude portraiture, is a refined work that invites contemplation of vulnerability, strength, and the expressive potential of the photographed body.
Presentation
Tony's signature photographic style encompasses movement in the pursuit of capturing moments of sensuality that reveal the soul. He is adept at creating conditions revealing a person's true nature, capturing compelling, stirring and enduring images that reveal the sensuality in us all.
Tony Potts has been associated with a camera lens and fashion in one way or another all his life. His mother, Judy Barraclough, was a world-famous model of the 1950s & 60s, and his Uncle David Potts was one of Australia's best-known Time/Life photographers of the 1940s & 50s.
Influenced by a world of fashion and photography as a child, Tony's career started as a camera assistant to the creative director and main photographer of Vogue Australia, whilst also studying photography at the Australian Centre of Photography when he quit after his first year at Sydney University doing a science-based degree.
Tony left Australia in 1975 for Europe and succeeded as an editorial model working with world-renowned fashion photographers such as Helmut Newton (French Vogue), Denise Piel, Patrick Demarchelier, Albert Watson, Toscani and many others. He appeared in many fashion magazines, including Harpers Bazaar and Vogue Magazines worldwide, including Australian, British, German and Italian Vogue, whilst living for 2 to 3 years at a time in London, Paris and New York.
Returning to Australia in 1981 with clarity and determination to interpret and distil the essence of life into his photography, Tony was soon shooting editorial fashion for all the leading contemporary Australian fashion designers and magazines, including Vogue and Harpers.
Tony's main focus these days is the art world of photography and the management of his 40-year archive, offering limited editions of his past and present work, with a collection of single edition vintage prints on show. His best-known images hang in prestigious private collections in Australia and the US. He is known for his B&W nudes and fashion editorial, particularly his Australian work in the 80s, 90s and early 2000s.
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