Late night at FTL arrivals - Traces of Perception, 2014
Hester  

Photography : acrylic · 91.4 x 91.4 x 5 cm 36 x 36 x 2 inch

€6,000 6 000 €

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Shipped from: United States

Delivery to: France , € 161

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About the artwork

Type

Photography : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

91.4 x 91.4 x 5 cm 36 x 36 x 2 inch Height x Width x Depth

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Credentials

Vetted seller since 2025

Description

#0024 – LATE NIGHT AT FTL ARRIVALS – 07-17-2014 – 12:29:24 AM

A nocturnal blanket stretches into the depths, traversed by luminous fluxes that seem to drift across the surface of the image. Deep blues dominate, punctuated by incandescent lines of red, yellow, and cyan, which emerge like traces of activity in the darkness.

The space evokes a place of passage, almost abstract: a terminal, a waiting area, but emptied of all human presence. Only luminous pulses remain, fragments of movement, as if reality had dissolved into speed and artificial light.

The horizontal layers structure the composition into a series of unstable planes, creating a tension between nocturnal calm and underlying agitation. The image captures less a place than an atmosphere: that of a suspended moment, on the border between stillness and continuous flow.

Hester, Late night at FTL arrivals - Traces of Perception

Hester

Colombia

Presentation

Known for combining artistic vision with technical precision, Hester transforms urban structures into doors of reflection. With a background in electrical engineering, architecture, and art history, her photographs go beyond superficial aesthetics and invite viewers to question our perception and occupation of space.

From Concrete Perspective (2012) to Architecture Éphémérè (2024), Hester's work consistently redefines the dialogue between art, science, and emotion. Exhibited internationally, from Art Wynwood and Pinta Miami to the Rencontres de la Photographie d'Arles, including recent exhibitions in Sweden and France, her practice presents itself as a bold exploration of perception and memory.

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