KH#375, 2026
Klaus Hoffmann  

Painting : acrylic, Pigments · 120 x 40 x 4 cm 47.2 x 15.7 x 1.6 inch · Ready to hang

€850 850 €

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Shipping & delivery

Shipped from: Germany

Delivery to: Germany , € 55

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

120 x 40 x 4 cm 47.2 x 15.7 x 1.6 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2026

Description

This study examines the tension between strict geometry and deliberately painterly execution.

A tall, narrow format is divided by two pale, Neapolitan yellow vertical stripes, which divide the black field into a wide central area and narrow outer sections and thus create a balanced rhythm across the entire surface.

The Neapolitan yellow is applied thinly and transparently, while the black is built up more strongly, with impasto-like passages and visible painterly variations.
Sharply defined borders keep these contrasting areas within a controlled structure.

The work was executed with pure pigments on a standard canvas with a stretcher frame, was conceived as a study and is therefore offered at a particularly affordable price.

The painted sides continue the work beyond the front; additional framing is not recommended.

Abstract

Minimalism

Abstract art

Lines

Color field painting

Abstract Minimalism

Black

Klaus Hoffmann, KH#375
Germany  • 1957

Presentation

Klaus Hoffmann, born 1957

In his works, Klaus Hoffmann explores the interactions of colors and forms, the special color contrasts and the effect of pure monochrome color surfaces.

In doing so, he avoids figurative associations and orients himself towards the art movement of Concrete Art.

He mostly uses geometric forms, which can also show deviations and breaks.

His aim is to create works that only represent themselves and do not refer to things that are outside the pictorial space, in the visible world.

They should also enable a sensual experience of the colors and forms and their interactions.

He works with pure, high-quality pigments, which are rubbed into aqueous acrylic dispersion and applied in numerous thin layers to give the color surfaces depth and enhance their luminosity.

Self-primed raw linen, whose natural structure remains recognizable, serves as the picture support.

This incorporates the picture support into the work and creates an autonomous overall work.

Hoffmann was educated at the Wiesbadener Freie Kunstschule and Freie Kunstakademie Frankfurt, with a focus on painting, composition, and color theory.

Reviews from our customers

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