Odissey 9079, 2018
Gianni Colangelo  

Photography : archival pigment print · 100 x 150 x 1 cm 39.4 x 59.1 x 0.4 inch

€3,000 3 000 €

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Shipped from: France

Delivery to: France , € 76

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 5 copies

2 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

100 x 150 x 1 cm 39.4 x 59.1 x 0.4 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2015

Discount

This seller offers discount when you purchase multiple artworks.

Description

A photographic still life that questions our relationship with time.
Five glass containers are aligned on a dark, reflective surface.
Some containers house clockwork mechanisms, symbols of time that flows and stops.
The choice of glass evokes fragility and gestation.
The blurred background, marked by raindrops, suggests infinity and the ephemeral.
This composition invites reflection on man's place in the vastness of the universe.
The contrast between the precision of the objects and the vagueness of the setting reinforces this sensation of suspension.
The image is created in the form of a pigment print, ensuring optimal preservation of details.

Still Life

Clock

glass (drinkware)

White

Black

Gianni Colangelo, Odissey 9079
Italy

Presentation

Gianni Colangelo was born in a small village in Abruzzo where he decided to come back to live. He has traveled a lot, he loves books (even wrote a few), he has always listened with interest to people and is enriched by differences. He started taking photos at the age of 7. In his photos, he puts his thoughts, his fears, his books, his passions, the music he loves. He hopes that those who observe his photographic doodles will perceive it all in it and that if their mind is, by any chance, touched, it will represent his success. The series "Odissey" is a work on time, in the form of still lifes, Gianni Colangelo stages objects that evoke gestation (glasses, containers ...), birth (egg ...) and time that happening (clock, pendulums, alarm clock ...). The choice of still life is made to amplify the ephemeral side of our life compared to a more sustainable environment. The fuzzy nature of the background inspires a questioning of the infinity that surrounds us and the limits of our place in the universe.

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