Marise. From the Nature series, 2019
Photography : color edition, archival pigment print · 90.2 x 59.9 x 0.3 cm 35.5 x 23.6 x 0.1 inch
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Shipped from: United States
Delivery to: Switzerland , CHF 215
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 6 copies
6 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
90.2 x 59.9 x 0.3 cm 35.5 x 23.6 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
This striking artwork captures an arresting interplay between human form and geological grandeur. The focal point is a lone nude figure, positioned with an almost dream-like surrender against the imposing backdrop of a craggy rock formation. The juxtaposition of delicate human contours against the raw, jagged texture of the rocks immediately draws the eye and invites contemplation on the stark contrast between nature’s unyielding permanence and the ephemeral fragility of humanity. The rugged, dark-toned rocks, resembling the hardened edges of cooled lava, create a sense of primeval power, as if the scene has been carved from the core of the Earth itself. Their angular forms and shadowed caverns add depth and a visual tension that heightens the drama of the composition. In contrast, the human body, gracefully arched with arms extended, introduces an element of vulnerability and ethereal beauty. The figure’s pose, seemingly suspended in a moment of serene introspection or gentle submission, amplifies the artwork's emotional resonance. Underfoot, the ground is a seamless extension of the rocks—dark, textured, and untouched—emphasizing the unity of the natural environment. The absence of color beyond the grayscale spectrum focuses attention on the interplay of light and shadow, further accentuating the forms and textures present. This artwork, with its evocative contrast and profound simplicity, serves as a compelling meditation on humanity’s place within the broader tapestry of the natural world. It challenges the viewer to reflect on the themes of solidity and impermanence, isolation and connection, and the inherent tensions that define our existence against the timeless backdrop of nature.
Presentation
Born in Bergisch-Gladbach, Germany, Uwe Ommer became fascinated with photography at a young age. Initially sparked by his interest in photographing birds, he received his first camera at age 14 and began experimenting with his limited equipment. By the time Ommer was 18, he had given up on birds, but was improving his skills as a photographer. He began working as an apprentice in a camera shop and soon picked up side projects for local papers, shooting everything from car accidents to weddings, when staff photographers were unavailable.
In 1962, Ommer was awarded the first Deutscher Jugend Photo Preis (German Youth Photo Prize) at Photokina 1962 for his photograph of children playing soccer. The following year, he left for Paris (for only one year to learn French, he insisted) and began working as an assistant to advertising photographer Jean Pierre Ronzel. While Ommer did perfect his French, he never did leave Paris.
In 1966 he opened his own photography studio, primarily shooting fashion and advertising photos for small women's magazines. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book.
In 1995, Ommer drastically changed gears and decided to embark on a project unlike anything he had ever done before – a project unlike anything anyone had ever done before. As a personal challenge, he set out the following year to document all types of families on every continent at the turn of the millennium. With a Landrover, Rolleiflex camera, portable studio, one assistant, many maps, many guidebooks Ommer visited 130 countries in the following four years, interviewing and photographing over 1000 families. Taschen published the catalog titled “1000 Families" in 2000 when the photographs were first exhibited to the public in Cologne, Germany in September at Photokina 2000. Since then, the exhibition has toured the world and has received praise for the scope and beauty of the photographs, and their simple message of commonality.
In 2002, Uwe Ommer was awarded an Honorary Fellowship to the Royal Photographic Society for the impact of his lifetime of work.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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