#17. From La Piedra Sustituta II Series, 2020
José Sierra  

Photography : color edition, archival pigment print · 101.6 x 61.1 x 0.3 cm 40 x 24.04 x 0.1 inch

$2,000 2 000 $US
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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 10 copies

10 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Not Signed

Dimensions ( cm • inch )

101.6 x 61.1 x 0.3 cm 40 x 24.04 x 0.1 inch Height x Width x Depth

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Description

#17, 2020 by Jose Sierra From "La Piedra Sustituta" Series Image size: 40 in. H x 24.04 in. W Edition of 10 + 2AP Unframed Additional sizes are available. More Sizes Available: Small size: 24 in. H x 14.42 in. W Edition of 10 + 2AP.

 "La Piedra Sustituta" Series Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being "pointed at" or rather as self-pointing. The stone is taken by the body that is unprotected as a metaphor for the weakness that seeks protection, and the body is taken by the stone as a consequence of an insecure state, how can a stone take a body? If this is the one that "institutionally" does it.

This surreal artwork captivates with its striking juxtaposition of human and aquatic elements. The central figure, a nude human form, is contorted around a large, rugged stone, evoking themes of struggle and resilience. Emerging unnaturally from the body is a fish, seemingly piercing through the human's back, defying the ordinary boundaries of anatomy and biology. The fish is detailed with lifelike scales and an open mouth, suggesting movement and vitality contrasting against the motionless human form. Set against a soft pink background, the composition highlights the raw textures of skin, stone, and scales, creating a powerful visual tension. This artwork's unique blend of realism and fantasy challenges viewers to contemplate the boundaries between nature and humanity, inviting interpretations on transformation, identity, and the interconnectedness of life.

José Sierra, #17. From La Piedra Sustituta II Series

José Sierra

Colombia  • 1991

Presentation

Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.

In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."

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