Human body
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Sin título (Identity Assertions Series)
Imanol Marrodán
Photography - 20 x 40 x 0.1 cm Photography - 7.9 x 15.7 x 0 inch
$670
The Lovers (medium)
Jesus Torio
Photography - 59.4 x 82.9 x 0.2 cm Photography - 23.4 x 32.6 x 0.1 inch
$1,451
Venus (medium)
Jesus Torio
Photography - 69 x 59.4 x 0.2 cm Photography - 27.2 x 23.4 x 0.1 inch
$1,451
Fairy under glass
Hollie Miller
Photography - 31.7 x 47.5 x 0.2 cm Photography - 12.5 x 18.7 x 0.1 inch
$1,060
Sisyphus
Hollie Miller
Photography - 47.5 x 32.5 x 0.2 cm Photography - 18.7 x 12.8 x 0.1 inch
$1,228
Emballons-nous !
Idan Wizen
Photography - 60 x 90 x 0.1 cm Photography - 23.6 x 35.4 x 0 inch
$1,507
An insipid notion triptych
Javier Rey
Photography - 80 x 159 x 0.3 cm Photography - 31.5 x 62.6 x 0.1 inch
$3,375
Early morning in Barcelona
Dmitry Savchenko
Photography - 100 x 150 x 0.1 cm Photography - 39.4 x 59.1 x 0 inch
$1,663
Form elegance
Dmitry Savchenko
Photography - 150 x 100 x 0.1 cm Photography - 59.1 x 39.4 x 0 inch
$1,663
Bridge of sighs. Barcelona
Dmitry Savchenko
Photography - 66 x 46 x 1 cm Photography - 26 x 18.1 x 0.4 inch
$1,663
Santa María (Baño)
Paola Dávila
Photography - 22.9 x 20.3 x 2.5 cm Photography - 9 x 8 x 1 inch
$1,200
Deux bouches femmes
Emmanuelle Barbaras
Photography - 28 x 42 x 1 cm Photography - 11 x 16.5 x 0.4 inch
$781
Saltan Maroc
Emmanuelle Barbaras
Photography - 45 x 38 x 1 cm Photography - 17.7 x 15 x 0.4 inch
$781
Nuque homme
Emmanuelle Barbaras
Photography - 40 x 50 x 0.2 cm Photography - 15.7 x 19.7 x 0.1 inch
$781
Untitled TV I
Rodrigo Etem
Photography - 55.9 x 101.6 x 0.3 cm Photography - 22 x 40 x 0.1 inch
$1,500
No55 SPIRIT Series
Yevgeniy Repiashenko
Photography - 120 x 96 x 0.1 cm Photography - 47.2 x 37.8 x 0 inch
$2,925
No45 SPIRIT Series
Yevgeniy Repiashenko
Photography - 120 x 120 x 0.1 cm Photography - 47.2 x 47.2 x 0 inch
$2,925
la légèreté
Yevgeniy Repiashenko
Photography - 120 x 80 x 0.1 cm Photography - 47.2 x 31.5 x 0 inch
$2,925
No47 SPIRIT Series
Yevgeniy Repiashenko
Photography - 120 x 96 x 0.1 cm Photography - 47.2 x 37.8 x 0 inch
$2,925
l' amie
Yevgeniy Repiashenko
Photography - 80 x 120 x 0.1 cm Photography - 31.5 x 47.2 x 0 inch
$2,925
No31 SPIRIT Series
Yevgeniy Repiashenko
Photography - 120 x 120 x 0.1 cm Photography - 47.2 x 47.2 x 0 inch
$2,925
WetWay
Yevgeniy Repiashenko
Photography - 80 x 120 x 0.1 cm Photography - 31.5 x 47.2 x 0 inch
$2,925
Hills
Yevgeniy Repiashenko
Photography - 80 x 120 x 0.1 cm Photography - 31.5 x 47.2 x 0 inch
$2,925
Fesse homme
Emmanuelle Barbaras
Photography - 36 x 53 x 1 cm Photography - 14.2 x 20.9 x 0.4 inch
$781
Femme allongée
Emmanuelle Barbaras
Photography - 24 x 36 x 1 cm Photography - 9.4 x 14.2 x 0.4 inch
$781
Danza de Fortuna Tres. From the series "Danza de Fortuna"
Ricky Cohete
Photography - 76.2 x 50.8 x 0.3 cm Photography - 30 x 20 x 0.1 inch
$2,222
Danza de fortuna. From the series, Danza de fortuna
Ricky Cohete
Photography - 76.2 x 50.8 x 0.3 cm Photography - 30 x 20 x 0.1 inch
$2,222
Sans titre (Un jour, une photo)
Aline Part
Photography - 67 x 50 x 0.2 cm Photography - 26.4 x 19.7 x 0.1 inch
$558
Val surprises
Grzegorz Sikorski
Photography - 50 x 50 x 0.2 cm Photography - 19.7 x 19.7 x 0.1 inch
$212
Secret d'alcove
Jean-Pierre Fleury
Photography - 80 x 60 x 3 cm Photography - 31.5 x 23.6 x 1.2 inch
$1,284
De chlore et de rosé
Christopher Barraja
Photography - 90 x 60 cm Photography - 35.4 x 23.6 inch
$1,340
Rouge Gorge
Basile Minatchy
Photography - 80 x 53 x 1 cm Photography - 31.5 x 20.9 x 0.4 inch
$1,786
Broken Myth (Diptych)
Michael James O'Brien
Photography - 76.2 x 101.6 x 0.3 cm Photography - 30 x 40 x 0.1 inch
$5,000
Doux au toucher
David Djian
Photography - 200 x 133.33 x 0.2 cm Photography - 78.7 x 52.5 x 0.1 inch
$3,293
En La Florida (Identity Promises Series)
Imanol Marrodán
Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
$558 $502
Abandoned roses necklace (Identity Testimonies series)
Imanol Marrodán
Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
$558 $502
Silencio de nieve (Identity Testimonies series)
Imanol Marrodán
Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
$558
Breathe in Breathe out
Lesya Rozova
Photography - 90 x 90 x 0.1 cm Photography - 35.4 x 35.4 x 0 inch
$753
Gone with the Wind
Lesya Rozova
Photography - 60 x 90 x 0.1 cm Photography - 23.6 x 35.4 x 0 inch
$753
Série des Pin Up N°3
Mehdi Mirbagheri
Photography - 80 x 80 x 1 cm Photography - 31.5 x 31.5 x 0.4 inch
$2,791
Tender Secrets
Akif Hakan
Photography - 60 x 90 x 0.1 cm Photography - 23.6 x 35.4 x 0 inch
$614 $553
Udo could have been a woman like the others
Udo Roosen
Photography - 60 x 60 x 1 cm Photography - 23.6 x 23.6 x 0.4 inch
$1,340
Fate and its inevitable consequences
Akif Hakan
Photography - 60 x 90 x 0.1 cm Photography - 23.6 x 35.4 x 0 inch
$614
Irida XIII
Laurence Winram
Photography - 84.1 x 59.4 x 0.2 cm Photography - 33.1 x 23.4 x 0.1 inch
$628
Roarie XXVI
Laurence Winram
Photography - 84.1 x 59.4 x 0.2 cm Photography - 33.1 x 23.4 x 0.1 inch
$628
Arco. From the series Espiral
Ricky Cohete
Photography - 76.2 x 50.8 x 0.3 cm Photography - 30 x 20 x 0.1 inch
$2,222
Folding man Two: From Motion Series
Ricky Cohete
Photography - 91.4 x 61 x 0.3 cm Photography - 36 x 24 x 0.1 inch
$2,222
Folding man One: From Motion Series
Ricky Cohete
Photography - 91.4 x 61 x 0.3 cm Photography - 36 x 24 x 0.1 inch
$2,222
Man Curve Four: From Motion Series
Ricky Cohete
Photography - 91.4 x 61 x 0.3 cm Photography - 36 x 24 x 0.1 inch
$2,222
Man Curve One: From Motion Series
Ricky Cohete
Photography - 91.4 x 61 x 0.3 cm Photography - 36 x 24 x 0.1 inch
$2,222
Man Back One: From Motion Series
Ricky Cohete
Photography - 91.4 x 61 x 0.3 cm Photography - 36 x 24 x 0.1 inch
$2,222
Human body
'I wanted to conquer the world. But I also desperately wanted to understand human nature, and to know what was inside our bodies. To do this, I have spent whole night dissecting bodies, against the direct orders of the Pope. Nothing disgusts me. What I am looking for, truly, in all of my work and particularly in my painting, what I have looked for all my life, is to understand the mystery that is human nature' – from the notebooks of Leonardo da Vinci in the 16th century.
At the time of writing these notes, da Vinci had already made greater understanding of the human body the primary objective of his investigations. Dissection and study were key to his development of a holistic knowledge of anatomy, which da Vinci believed was vital to the perfect rendering of the nude figures which he painted and drew.
Little by little, the traditional image of the human figure was uprooted and in its place new ways of interpreting the body developed. Contemporary artists relentlessly questioned the traditional codes of figure drawing, liberally reworking the representation of the body to create a new image that was dislocated, geometric, deformed and disfigured.
The body as an artistic subject is at once desired, fantasised, dreamt, transformed, deformed. For painters, photographers and sculptors alike the body represents a rite of passage in their artistic development. Many people say that they most appreciate the talents of an artists by way of their control over the complexity of the figure. For example, it's clear even in Matisse's later, more abstract collages that he had perfectly mastered the human form.
Representation of the body is fundamental to Western art: first and foremost because it suggests a representation of the self, and therefore affirms the artist's own existence and coexistence with the environment that surrounds them. At the beginning of art history, the only bodies represented were the gods, supernatural beings, and spirits who had taken on human form. The body, nude or clothed, is at once one of the most widely depicted and most deeply polemical subjects in Western art (think of the scandals provoked by Courbet's 'Origins of the World', or Renoir's 'Picnic on the Grass').
The body has always been the primary subject of an array of themes, and its history is rich and ancient. Initially, depiction of the body was closely linked to religion, where the Word became flesh in Genesis, but later in more secular times the arousal of the artist when faced with the body made for an equally popular theme. Latterly the notion of the body as an object of beauty was subverted by Cubism until depictions of bodies no longer bore any resemblance to reality or made any pretence of respecting the rules of proportion.
Finally, in modern art the body has taken on an abstract shape within space, becoming one with the environment. In some instances, the body has become the artist's own support, as with Klein's models. The body as an abstract concept is tangible in many different manifestations in art, even in pieces as unassuming as some of Rothko's paintings. It remains the subject of inexhaustible inspiration and eternal debate.