Le Lézard aux Plumes d'Or, 1971
Joan Miró   Master Artists

Print : lithography · 38 x 52 x 0.1 cm 15 x 20.5 x 0 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Print : numbered and limited to 40 copies

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

38 x 52 x 0.1 cm 15 x 20.5 x 0 inch Height x Width x Depth

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Description
Le Lézard aux Plumes d'Or, Plate X is a beautiful color lithograph on Japanese paper, realized in 1971 by the Spanish Surrealist artist Joan Miró (Montroing, 1893 - Mallorca, 1983) for the homonym print suite. Numbered on the lower left: 20/40. Hand-signed on the lower right. Printed by Mourlot, Paris. Ref: Lithographe IV. 1969-1972, Paris 1981, no. 815.

Abstract

Joan Miro

Surrealism

Green

Joan Miró, Le Lézard aux Plumes d'Or

Joan Miró

Spain  • 1883  - 1983
1654 followers

Presentation

Joan Miró (1893–1983) was a revolutionary Catalan painter, sculptor, and ceramicist whose bold, surreal, and symbolic style redefined 20th-century art. Born in Barcelona, he developed a unique artistic language that blended abstract forms, vibrant colors, and dreamlike imagery. His work, spanning painting, sculpture, engraving, and ceramics, continues to inspire contemporary artists and collectors worldwide.

From an early age, Miró was immersed in creativity. His father, a jeweler, and his mother, a cabinetmaker, introduced him to the world of craftsmanship. Initially pushed toward a business career, he studied commerce before abandoning it to pursue his true passion—art. By 1912, he was fully dedicated to painting, training at the Llotja Fine Arts School and later at the Galli Academy in Barcelona. Influenced by Fauvism, Cubism, and Expressionism, Miró's early works reflected these modern movements while maintaining a strong connection to his Catalan roots.

In 1919, Miró moved to Paris, where he became a key figure in the avant-garde scene. He connected with leading Surrealist artists and poets, including André Breton, Paul Éluard, and Tristan Tzara, and developed his distinctive style—rejecting conventional techniques in favor of spontaneity and abstraction. His breakthrough came in 1925 with the "Surrealist Painting" exhibition at Galerie Pierre, where he unveiled Carnaval d'Arlequin, a masterpiece of vibrant, surreal symbolism. That same year, he created The Birth of the World, a landmark work that merged his Catalan heritage with his Parisian influences.

Though deeply associated with Surrealism, Miró sought total artistic freedom. By the late 1920s, as political tensions grew within the movement, he distanced himself to explore new techniques. Throughout the 1930s and beyond, he experimented with collage, monumental sculpture, and ceramics, continuously pushing artistic boundaries. His large-scale murals, such as those created for UNESCO's headquarters in 1958, and his celebrated Blue I, II, III triptych (1961) cemented his status as a modern master.

Today, Joan Miró's legacy endures through his influence on abstract expressionism and contemporary art. His works are housed in major institutions worldwide, including the Fundació Joan Miró in Barcelona, MoMA in New York, and the Tate Modern in London. Collectors and art lovers continue to admire his pioneering vision, making him one of the most celebrated and influential artists of the 20th century.

Surrealism

European Avant-Gardes

Mid-century inspiration

Printmakers

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