Obsidian I, 2021
Print : pigment ink, fine art print · 223 x 152.5 x 0.01 cm 87.8 x 60 x 0 inch
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Shipped from: Germany
Delivery to: Germany , € 150
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 30 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
223 x 152.5 x 0.01 cm 87.8 x 60 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
Ai Weiwei, 2021. Archival pigment print. Signature stamp on verso, signed and numbered on recto. Edition of 30.
The prints (2021) and (2021) embody the dual aspects of a monumental, jet-black Murano glass chandelier. Created using an innovative printing technique that integrates black-pigmented ink, these works achieve what we believe to be the deepest, most intense black ever realized in the studio.
Rich in depth and dimensionality, the finished prints possess a striking three-dimensional quality. Their scale allows for the capture of even the most intricate details with unparalleled precision. The titles, and , evoke both the physical and metaphysical ties between these prints and the Earth's darkest natural substance — obsidian lava. In ancient times, the Maya fashioned obsidian into flat scrying mirrors, using them to gaze into the underworld. Obsidian is revered for its protective qualities, believed to form a shield against negativity and act as a grounding force, tethering the base of the spine to the Earth's core. It is also thought to facilitate a connection with past lives, helping to heal lingering traumas and unresolved emotions, bringing clarity and depth to one's inner world.
Presentation
Born in 1957 in Beijing, Ai Weiwei is a multidisciplinary artist who is a sculptor, blogger, architect, and curator. He studied film at the Beijing Film Academy and then at Parsons The New School for Design in New York. The artist lives and works in Beijing but has lived in the United States for several years. In the early 1980s, he moved to New York to photograph scenes of daily life , capturing the habits and lifestyles of its inhabitants. He returned to Beijing to continue this practice in 1993. Through his work, he succeeds in painting a portrait of a country and its population by reflecting daily life as well as the morals and customs of societies. Weiwei is a major artist on the contemporary art scene. His work is vast, nonconformist, provocative, and has earned him reprisals. Arrested by the Chinese government in 2011 for tax evasion, it was more for his activism and his criticism of Chinese society. He has contributed significantly to the evolution of his country's social reality; his art is a testament to his perception of the world and its challenges. He uses social media to disseminate his positions, via Twitter or his blog, by publishing photos and texts, and thus manages to reach a broad population with his numerous followers.
A politically engaged artist, he joined the avant-garde artists' collective "The Stars" in 1979 and thus promoted liberal values centered on freedom of expression and man as an individual in his own right, thus opposing the Socialist Realism promoted by the State. He draws his inspiration from artists such as Duchamp or Warhol , artists who have shaken up their time and are recognized for their criticism of society, just like Weiwei.
He created numerous sculptures using traditional Chinese cultural objects, such as porcelain vases and Qing Dynasty furniture, to depict a dual society, divided between individualism and collectivism. He participated in the construction of China's national stadium, named the "Bird's Nest," for the 2008 Olympic Games.
Ai Weiwei's works have been exhibited in the United States at the San Francisco Museum of Modern Art, among others, in the United Kingdom, Belgium, Italy, Germany, France, Spain, the Czech Republic, Switzerland, Australia, China, Korea, and in Japan at the Hara Museum of Contemporary Art in Tokyo.
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