Blissfull, 2022
Sculpture : acrylic, wood · 63.5 x 48.3 x 58.4 cm 25 x 19 x 23 inch
$26,450
26 450 $US
Shipping & delivery
Shipped from: United States
Delivery to: United States , $ 500
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
63.5 x 48.3 x 58.4 cm 25 x 19 x 23 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This striking artwork presents a textured, three-dimensional face composed of numerous geometric blocks, masterfully forming an impression of serenity and introspection. The piece is an exploration of form and perspective, where each block contributes to the overall structure, creating a dynamic interplay of light and shadow. The vivid blue hue enhances the ethereal quality, evoking a sense of depth and tranquility. The artist achieves a balance between abstraction and realism, as the meticulously aligned blocks suggest facial features while maintaining an abstract quality. This fusion of precise geometry and expressive color invites viewers to reflect on the harmony between structure and emotion. Its commanding presence transforms space, engaging the audience in a contemplative dialogue about perception and identity. This artwork stands as a testament to innovative contemporary art, blending technical precision with emotive resonance.
Presentation
Born in Sydney, Australia, in 1959, raised in Southern France, Gil Bruvel started experimenting with art at age 9. His father, a cabinet maker acquainted Gil with wood sculpting and furniture design, Gil applied these skills to his functional art designs and sculptures years later. In 1974, Gil began his studies at an art restoration workshop in Chateaurenard, France, under M. Laurent de Montcassin, learning the techniques of Old and Modern Masters as well as art history of the 14th-20th century. Thereafter, he set up his studio in St. Remy de Provence until 1986 when he first made his way to the United States, making it his permanent residence in 1990.
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