Pure Jazz Bronze - Sculpture Signed Edition, 1984

Paul Wegner  

Medium: Cold Painted Bronze Sculpture
Signed: Etched Signed with Edition Number by the Artist
Edition: FP 2/2
Documentation: Gallery Certificate of authenticity

Paul Wegner is well known for his clever use on negative space; creating bronze sculptures that seem to defy the law of gravity. This technique, is now known as "fragmentation" thanks to a now used to a newspaper reporter in Virginia interviewed him early in his career while working on the "Primitive Man" project. When coupled with compositions that celebrate the world of music, Wegner's favorite subject, he creates sculptures that have a tremendous since of energy.

The interlocking musical instruments in 1984's "Pure Jazz" support the hands and faces of the three detailed band members. The work showcases Wegner's technical precision and masterful eye for detail, which he executes through both the sculpting process as well as the cold hand painted finish. "Pure Jazz" is numbered FP 2/2 and is signed by the artists. The cold painted bronze sculpture measure 30-1/2" x 19" x 18". Purchase includes a gallery certificate of authenticity from Modern Artifact.

Soon after graduating college and becoming a professional sculptor Wegner was given his first large commission by the National Geographic Society in 1976. The project required Wegner to create 9 life size figures of primitive man for their new museum exhibit in Washington D.C. Wegner had meetings with archeologists from the Smithsonian, including Mary Leaky, Dr. Dale Stewart, as well as the creative staff at National Geographic. Research for this project led Wegner to the works of painter Norman Rockwell, sculptor Rodin, and most importantly, Rodin's protege, Malvina Hoffman. What sparked Wegner's interest, aside from their great approach to depicting human anatomy and expression was infusing emotion into the faces of their work, something that National Geographic people stressed: "Give our ancestors feelings!" That was the order of the day.

The term "fragmentation", now used to define Wegner's style, came about when a newspaper reporter in Virginia interviewed him early in his career while working on the "Primitive Man" project and developing this new approach.

Wegner Goes to New York

Wegner began showing the new ideas, now cast in bronze, up and down the eastern seaboard. The very first large convention center art shows were beginning in New York and Los Angeles and soon after his first exhibit in 1981, Wegner was offered his first publishing contract in New York City. Although he featured a wide range of subject matter in his work, his musical themed sculptures were the most popular, leading to the creation of his Blues and Jazz series, now in its 25th year. The unveiling was at the Dyansen Gallery in SOHO, 1984. Lionel Hampton and his band played their music in the gallery on opening night and the music was broadcast live over 450 jazz stations across the United States.

W.C. Handy & Memphis

Another of Wegner's greatest thrills as a sculptor was in 1988, when he was presented a Blues Award in Memphis by B.B. King and Carl Perkins. Wegner created a sculpture of W.C. Handy for the First Heritage Museum in Memphis, which was used on stage for the Blues Awards program and created as part Handy's childhood home dedication. That house was brought to Beale Street. in Memphis, restored and turned into a museum. Later the sculpture was used in an important scene in the Academy Award winning film "The Firm". Wegner won another "Keeping the Blues Alive Award" the following year and was made an honorary board member.

New Orleans

In 1989, Paul Wegner was awarder the "Key to the City" of New Orleans by the Mayor and made an "Honorary Citizen" in appreciation for all his sculptural works related to New Orleans Jazz. Annually, the Hilton Hotel in New Orleans dedicates 8 plaques designed by Wegner to be placed in cement at the Walk of Fame site. The names represent those who have influenced the state of Louisiana in a positive way. Pete Fountain invited Wegner to help lead Mardi-Gras with him in 1995. The theme that year was "Beauty and the Beast". Wegner chose the beast.

US Naval Academy

His largest design, to date, which took nearly two years to complete, was permanently installed at the Naval Academy in Annapolis, Maryland in October of 2000. The monument honors the more than 50 submarines lost at sea in the last century and the 3500 men who gave their lives serving in the submarine forces. During this project, Wegner was taken on a 2-day cruise off the coast of San Diego, California in a nuclear submarine, the USS Houston. This was the same sub used in the movie "The Hunt for Red October". They actually performed the "blow" maneuver while Wegner was onboard which was rising out of the water at full speed. This was to allow Wegner the experience of that he was about to portray in bronze. It was yet another one of those, "once in a lifetime" opportunities.

The Jazz & Blues Series

Over the years Wegner has had many opportunities to discuss and learn about these music forms from a wide range of original music icons in jazz, blues and rock-and-roll, with musicians such as Pete Fountain, Lionel Hampton, John Lee Hooker, Carlos Santana. They were the inspiration behind the series of sculptures that Wegner has developed and created in bronze for more than 2 decades. The free-floating style evokes an almost musical feel to the design itself, allowing the figures to roll with the instruments in a wave of upbeat, visual enjoyment. As many have seen, just turn on the music and the design seems to come alive.