La sellette, 2019
Sculpture : bronze · 197 x 49 x 44 cm 77.6 x 19.3 x 17.3 inch
Shipping & delivery
Shipped from: France
Delivery to: United Kingdom , £ 750
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : numbered and limited to 12 copies
1 copy available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Artwork signed in the mold
Technique & Support
bronze , without pedestal
Dimensions ( cm • inch )
197 x 49 x 44 cm 77.6 x 19.3 x 17.3 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Presentation
Marc Petit, born in Saint-Céré in the Lot region in 1961, is today considered by galleries and the art market to be one of the greatest living contemporary sculptors.
At the age of 14, he tried sculpture and discovered this technique. He comes from a family of artisans, he left high school quickly, and devoted himself to carving stone. But it was through two encounters that his technique and life, took up a whole new meaning. Marc petit came across two sculptors from Beaux-Arts Paris, and they became his mentors. René Fournier and Jean Lorquin. Both of them will give him a sharp eye and thoughts on sculpture.
René Fournier took him towards the art of modeling and provided him with the teachings of Marcel Gimond, a legendary sculptor of the 20th century, known for his creations of busts of political figures or the artistic scene. Jean Lorquin had himself won the Prix de Rome in 1949 and was resident at the Villa Medicis, he provided Petit with a know-how on sculpture and mainly a deep reflexion.
With bronze, terra cotta and plaster, Marc Petit created his first sculptures of human beings. Lonely characters with a gloomy look. They seemed lost, and were dominated by oppressiveness or spite. The body has a tired, disembodied look. One doesn't know if it's a tragedy or a floating moment, like a soul wandering in a limbo. When we are in front of these figures, we put a distance but a voyeuristic one, more confused rather than empathetic.
Marc Petit realized his first personal exhibition at the age of 24 and slowly made his name among galleries and collectors.
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