Mini, 2022
Sculpture : steel · 54 x 30 x 10 cm 21.3 x 11.8 x 3.9 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Not Signed
Dimensions ( cm • inch )
54 x 30 x 10 cm 21.3 x 11.8 x 3.9 inch Height x Width x Depth
Dimensions of pedestal:
0.5 x 15 x 10 cm 0.2 x 5.9 x 3.9 inch
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This steel sculpture explores the duality between full and empty. The artist shapes the metal with precision to create a play of concentric ellipses.
The work is based on a geometric and abstract approach. Each circle fits into the other, guiding the gaze towards a dense center.
The creation process is marked by a striking contrast. The metal is burned and cut, leaving irregular and organic contours.
These toothed edges capture the light and cast changing shadows depending on the angle of view.
The whole rests on a minimalist base that emphasizes the lightness of the structure.
This piece, made in 2022, testifies to a research into the metamorphosis of forms.
The black steel brings a graphic rigor to this airy composition.
Presentation
Sculptor and painter Philippe Lonzi was born in Paris on the 22nd of August in 1955. He now lives and works in the Gard region.
For Lonzi, sculpture is the sincerest form of expression, but it wasn't until 2017 that he decided to devote himself to it entirely. Before launching his artistic career, Lonzi spent a long time working in an electronics business that he had set up himself.
Lonzi works mainly with steel, cutting his works from new metal which contributes to its characteristically complex aesthetic. His sculptures are often abstract and based on geometric forms, creating tricks of shadow and light thanks to his involved construction techniques. Each creation represents a new direction and an opportunity for the artist to travel deeper into his thoughts.
The delicacy of his touch remains evident even throughout his contrastingly violent creative process, in which he scorches the metal and cuts at it with his tools. Each new creation comes from the reflexion of the artist and serves as a witness to the limitlessness of creative emotion.
In the sculpture of Philippe Lonzi, full equals empty and this juxtaposition contributes to the sense of metamorphosis underlying his works.
Reviews from our customers
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