Bloom or disappear,
2024
Kalee Guauta
Painting : acrylic
110 x 90 x 3 cm 43.3 x 35.4 x 1.2 inch
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
110 x 90 x 3 cm 43.3 x 35.4 x 1.2 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Colombia
There are days when even breathing hurts, days when the world doesn't fall apart, but inside you do, and those days don't come with an instruction manual. In fact, those days often don't even have an explanation, they don't have a recipe because they are so personal, and only you and those days can define them.
Blooming is not romantic, it is not a fairy tale option, rather it is something brutal. It is choosing, with hands full of fear, with your chest torn apart, to continue creating life within yourself despite everything and even though deep down the situation does not warrant it. Pain is inevitable, but suffering is quite optional. Over the years, I continue to learn that pain is not the enemy, but rather a kind of clumsy, rough, cruel, but wise teacher who does not ask for permission. It is that being that kicks you down, but at the same time shows you and reveals to you that the silent trap called suffering sinks you when you decide to focus your attention on it.
I don't understand my teacher very well yet, I haven't won everything, but I have won a battle or two, like in little playground games where I eat him and he eats me, where I restart him and he restarts me, and to this day I haven't fully healed, but I understand that healing is not about arriving, it's about continuing, and that sometimes it's enough not to disappear completely to start blossoming.
About the seller
Independent artist • Colombia
Vetted Seller
Discover more by the artist
Presentation
A self-taught artist who began her practice in 2008, developing a personal visual language about emotion and memory. In 2015, she incorporated the study of cross-modality as a conceptual axis, exploring the correspondences between the senses and the possibility of generating an expanded sensory experience between the work, the viewer, and various arts such as music, gastronomy, and performance.
In 2018, he began a series of self-managed projects that marked a turning point in his artistic practice, focusing his attention on mental health as the conceptual and vital axis of his work to date.
His work has been presented in exhibition spaces, galleries, embassies, and international fairs in Argentina, Italy, Spain, France, and the United Kingdom. Recent solo exhibitions include I'm Not Alone (Melaká Art Gallery, Bogotá, 2024); Depression Anatomy (Firma de Arte, Bogotá, 2022); Pleasure Synesthesia (Casa 73-22, Bogotá, 2021); Inside My Mind (Melaká Art Gallery, Bogotá, 2019); and Animal Soul (Galería Casa Valhalla, Bogotá, 2017).
In 2019, he published his first literary work, Inside My Mind, a project that expands his research on mental, emotional, and perceptual processes from an intimate and symbolic perspective, developed during 2018.
His participation in group exhibitions includes Aqua Art Miami (USA), Premio Arte Anima Latina (Rome); Salón de Arte Figurativo y Representacional (Bogotá); Arte en la Red, Casa de América (Madrid); Passepartout, Consulate of Colombia (Paris); Bienal Internacional de Suba (Bogotá); Ilustres, Espacio Independiente; Aldente 14 (Buenos Aires); Redibujando Bogotá; Imagen y Palabra, Universidad Los Libertadores; Salón de Ilustración, Club El Nogal; Quinestecia, Teatro R101; and Expoink, Casa Cartel Urbano.
Painters
Colombian artists
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