Valerio Adami Hommage à Freud, 1980

Name: Hommage à Freud
Brand: Artsper
Price: 160 EUR
Availability: InStock

View in a room Print 25.6 x 19.7 inch 1 remaining copy

$190

+$31 Delivery fees for United States Delivery : Less than one week Add to my favourites 1 remaining copy 11 people are looking at this artwork

View in a room

Description

Offered by the gallery

Fieldarts
Paris - France
Authenticity

Work sold with a certificate of authenticity
Signature

Hand-signed by artist
Medium

Print : Screen print on paper
Type

Numbered and limited to 300 copies
Dimensions cm | inch

65 x 50 cm 25.6 x 19.7 inch
Framing

Not framed
- lithograph
- narrative figuration

Delivery

Artsper's galleries deliver artworks worldwide and using specialised carriers.

The artwork can be delivered to the address of your choice less than a week after validation of your order. The work is insured during transport, so it's risk-free.

Payment

You can pay by credit and debit card, PayPal or bank transfer. We take fraud very seriously and respect your confidential information, which is why all payments are subject to 3D Secure validation.

Guarantee

Artsper's pledge of quality: We only work with professional galleries and guarantee the authenticity and provenance of our artworks.

Contact our experts

Any question about the artwork, the artist or the delivery?

Valerio Adami

Born in: 1935

Italy

Famous artist

Valerio Adami is in Italian painter born on March 17, 1935 in the Italian city of Bologna. He is famous for his pintings with surfaces of flashy outlined by thick black lines, reminding of comics. He divides his time between France and Italy.

Adami was educated at Academy Brera in Milan between 1952 and 1954. He traveled to paris for the first time in 1955, where he met Roberto Matta. His first solo exhibition came in 1957 in Milan, with works inspired by Matta's surrealism.

In the late '60s, he became part of the Nouvelle Figuration (New Figuration) movement. Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. Adami's artworks were expressionistic, but around the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat colour bordered by black lines. The artist subjects were highly stylized and often presented in fragments, as seen in Telescoping Rooms.