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Paul Laster The Paris Bit, Transparent Tape and Print Media on Paper, 1989

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$USD 999

One of the last works available by this artist
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The artwork is available for pickup from the gallery in Bay Harbor Islands, FL, United States


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Paul Laster, The Paris Bit, Transparent Tape and Print Media on Paper
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Informations about this artwork
  • Medium

    Print : paper, collage

  • Dimensions cm | inch

    5.5 x 4 inch

  • Support

    Print on board

  • Framing

    Not framed

  • Type

    Unique work

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Signed artwork

  • Offered by the gallery

    The Art Design Project
    Bay Harbor Islands - United States

  • About the artwork

    Artwork sold in perfect condition

    Transparent tape and print media on paper
    Unframed

    Image size: 5.5 in. H x 4 in. W
    Signed and dated in pencil on verso.

    Paul Laster is a writer, editor, independent curator, artist, and lecturer. He is a New York desk editor at Art Asia Pacific and a contributing editor at Whitehot and Art Bahrain. He was the founding editor of Art Krush and Artspace and art editor of Flavorpill and Russell Simmons's One World Magazine; started The Daily Beast art section, and worked as a photojournalist for Artnet and Art in America. He is a frequent contributor to Time Out New York, New York Observer, Modern Painters, Art Pulse and Art Info.
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Paul Laster

United States Born in: 1951

Paul Laster (b. 1951, in Flint, Michigan) is a writer, editor, independent curator, artist, and lecturer. He is a New York desk editor at Art Asia Pacific and a contributing editor at Whitehot and Art Bahrain. He was the founding editor of Art Krush and Artspace, Art Editor of Flavorpill and Russell Simmons's One World Magazine, as well as started The Daily Beast's art section and worked as a photojournalist for Artnet and Art in America. He is a frequent contributor to Time Out New York, New York Observer, Modern Painters, Art Pulse and Art Info.

In reflection of his prolific background in publication, his artwork appropriates printed matter in collage works that utilize the domestic medium of tape through transparent overlays onto the subject. Specifically, Laster is notable for taking famous 20th century photographs from secondary sources such as books, catalogues and magazines, and toying with geometric colors on the surface to create a dialogue between old and new.

Laster's work is in the collections of the New York Public Library, New York, NY; Los Angeles County Art Museum, Los Angeles, CA; Brooklyn Museum of Art, Brooklyn, NY; Corcoran Gallery of Art, Washington D.C.; Metropolitan Museum of American Art, New York, NY; and the Whitney Museum of American Art, New York, NY.

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Paul Laster, The Paris Bit, Transparent Tape and Print Media on Paper
Paul Laster, The Paris Bit, Transparent Tape and Print Media on Paper Paul Laster, The Paris Bit, Transparent Tape and Print Media on Paper Paul Laster, The Paris Bit, Transparent Tape and Print Media on Paper