White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!
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European Snow II
Viet Ha Tran
Photography - 89.9 x 58.9 x 0.3 cm Photography - 35.4 x 23.2 x 0.1 inch
Sold
European Snow I
Viet Ha Tran
Photography - 77 x 103.1 x 0.3 cm Photography - 30.3 x 40.6 x 0.1 inch
$1,200
Ombre et lumière III
Feng Hatat
Photography - 48 x 32 x 1 cm Photography - 18.9 x 12.6 x 0.4 inch
$585
Mémoire de JingDeZhen
Feng Hatat
Photography - 32 x 48 x 1 cm Photography - 12.6 x 18.9 x 0.4 inch
$702
Ombre et lumière #5
Feng Hatat
Photography - 48 x 32 x 1 cm Photography - 18.9 x 12.6 x 0.4 inch
$702
Ombre et lumière II
Feng Hatat
Photography - 48 x 32 x 1 cm Photography - 18.9 x 12.6 x 0.4 inch
$585
(Last Edition) Take me to your dreams Ophelia III
Viet Ha Tran
Photography - 136.9 x 205.5 x 0.3 cm Photography - 53.9 x 80.9 x 0.1 inch
Sold
Over the Fields
Victor Roschkov
Painting - 41.9 x 68.6 x 0.3 cm Painting - 16.5 x 27 x 0.1 inch
$684
Who painted my dream blue?
Viet Ha Tran
Photography - 119.9 x 180.1 x 0.3 cm Photography - 47.2 x 70.9 x 0.1 inch
$7,500
Mermaid in Ibiza VIII (Museum Edition 3/3)
Viet Ha Tran
Photography - 110 x 182.1 x 0.3 cm Photography - 43.3 x 71.7 x 0.1 inch
Sold
End Of The Dry Land
Yuko Montgomery
Painting - 60.7 x 50 x 2 cm Painting - 23.9 x 19.7 x 0.8 inch
$2,500
Reach Out For The Sun
Yuko Montgomery
Painting - 72.6 x 52.8 x 2 cm Painting - 28.6 x 20.8 x 0.8 inch
$3,380
Space grandfather Wang’s house colour
Raffaella
Painting - 60.5 x 50 x 3 cm Painting - 23.8 x 19.7 x 1.2 inch
$2,866
Âlif - Clou cristal
Yazid Oulab
Sculpture - 15 x 50 x 15 cm Sculpture - 5.9 x 19.7 x 5.9 inch
$8,073
Tête de Ventasuso
Sébastien Castillo
Photography - 20 x 30 x 1 cm Photography - 7.9 x 11.8 x 0.4 inch
$257
Schwurhand: Frau rennt weg mit Gehirn
Joseph Beuys
Print - 50 x 43 cm Print - 19.7 x 16.9 inch
$2,223
Aquarelle graphique 7
Agathe Wagner
Fine Art Drawings - 50 x 70 x 1 cm Fine Art Drawings - 19.7 x 27.6 x 0.4 inch
$936
Mémoire de JingDeZhen
Feng Hatat
Photography - 32 x 48 x 1 cm Photography - 12.6 x 18.9 x 0.4 inch
Sold
Krilin
Toei Animation
Fine Art Drawings - 23 x 26 x 1 cm Fine Art Drawings - 9.1 x 10.2 x 0.4 inch
Sold
Glaces et feux 4164
Jean-Georges Inca
Painting - 80 x 60 x 5 cm Painting - 31.5 x 23.6 x 2 inch
Sold
Dessin actualité
Louis Pons
Fine Art Drawings - 24 x 22 x 1 cm Fine Art Drawings - 9.4 x 8.7 x 0.4 inch
Sold
Spring Blossom
Brigitte Chombart de Lauwe
Painting - 130 x 162 x 3 cm Painting - 51.2 x 63.8 x 1.2 inch
Sold
Renversements 733
Anneke Klein-Kranenbarg
Sculpture - 25 x 25 x 3.5 cm Sculpture - 9.8 x 9.8 x 1.4 inch
$2,106