Colored artworks
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Tactile memory #138
Natasha Zupan
Painting - 69.9 x 59.9 x 7.6 cm Painting - 27.5 x 23.6 x 3 inch
$6,800
Entre l'ombre et la lumière
Stephanie Rivet
Painting - 122 x 152 x 4 cm Painting - 48 x 59.8 x 1.6 inch
$4,420
Merge lane
Kathryn Anne Cleland
Painting - 40.64 x 40.64 x 1.5 cm Painting - 16 x 16 x 0.6 inch
$1,529
Illusive Stability 22.
Petr Strnad
Painting - 42.4 x 30 x 0.1 cm Painting - 16.7 x 11.8 x 0 inch
$201
Waiting here 1010
Cédric Bouteiller
Painting - 50 x 50 x 1 cm Painting - 19.7 x 19.7 x 0.4 inch
$4,465
A Mysterious Horse - A tribute to the artist Uri Reisman
Menashe Kadishman
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$3,700
Beachside Botanics
Sumit Mehndiratta
Photography - 54 x 86 x 0.01 cm Photography - 21.3 x 33.9 x 0 inch
$1,005
A Brand New Day
Sumit Mehndiratta
Photography - 70 x 100 x 0.01 cm Photography - 27.6 x 39.4 x 0 inch
$1,172
Pennyfield Close
George Pinder
Painting - 100 x 80 x 4.8 cm Painting - 39.4 x 31.5 x 1.9 inch
$4,566
Sunny Day Treescape
Sumit Mehndiratta
Print - 103 x 68 x 0.5 cm Print - 40.6 x 26.8 x 0.2 inch
$1,116
Le bassin exotique
Agnès Tiollier
Painting - 80 x 80 x 2.5 cm Painting - 31.5 x 31.5 x 1 inch
$2,009
Geometrical Abstract Composition
Giorgio Lo Fermo
Painting - 33 x 48 x 0.2 cm Painting - 13 x 18.9 x 0.1 inch
$670
Yellow Impression
Giorgio Lo Fermo
Painting - 150 x 120 x 0.2 cm Painting - 59.1 x 47.2 x 0.1 inch
$2,009
The Magic Circle
Giorgio Lo Fermo
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
$2,233
Five Flowers and a Chameleon
Kat Zhivetin
Painting - 95 x 95 x 0.2 cm Painting - 37.4 x 37.4 x 0.1 inch
$1,370
French riviera
Muriel Charbonnier
Painting - 100 x 80 x 4 cm Painting - 39.4 x 31.5 x 1.6 inch
$2,121
Damier au crayon rouge
Muriel Charbonnier
Painting - 70 x 70 x 4 cm Painting - 27.6 x 27.6 x 1.6 inch
$1,563
Combinaison sphérique sur fond ocre 2 et vert d'eau 2
Muriel Charbonnier
Painting - 70 x 70 x 4 cm Painting - 27.6 x 27.6 x 1.6 inch
$1,563
Combinaison shérique cristal 2 sur fond blanc
Muriel Charbonnier
Painting - 70 x 70 x 4 cm Painting - 27.6 x 27.6 x 1.6 inch
$1,563
Combinaison shérique Cristal 1 sur fond blanc
Muriel Charbonnier
Painting - 70 x 70 x 4 cm Painting - 27.6 x 27.6 x 1.6 inch
$1,563
Snoopy (plan du métro de Paris)
Fat
Painting - 37 x 65 x 0.2 cm Painting - 14.6 x 25.6 x 0.1 inch
$2,009
Schtroumpfs (plan du métro de Paris)
Fat
Painting - 41 x 80 x 0.2 cm Painting - 16.1 x 31.5 x 0.1 inch
$2,233
Idéfix (plan du métro de Paris)
Fat
Painting - 36 x 36 x 0.2 cm Painting - 14.2 x 14.2 x 0.1 inch
$1,395
Picsou (plan du métro de Paris)
Fat
Painting - 42 x 69 x 0.2 cm Painting - 16.5 x 27.2 x 0.1 inch
$2,233
Informal Painting
Giorgio Lo Fermo
Painting - 96 x 70 x 1 cm Painting - 37.8 x 27.6 x 0.4 inch
$1,563
Abstract Expression
Giorgio Lo Fermo
Painting - 70 x 50 x 0.1 cm Painting - 27.6 x 19.7 x 0 inch
$1,563
Abstract Expression
Giorgio Lo Fermo
Painting - 91 x 82 x 1 cm Painting - 35.8 x 32.3 x 0.4 inch
$1,786
Abstract Expression
Giorgio Lo Fermo
Painting - 70 x 50 x 1 cm Painting - 27.6 x 19.7 x 0.4 inch
$1,898
Blue and Yellow Abstract Composition
Giorgio Lo Fermo
Painting - 70 x 50 x 1 cm Painting - 27.6 x 19.7 x 0.4 inch
$1,898
Abstract Expression
Giorgio Lo Fermo
Painting - 80 x 60 x 1 cm Painting - 31.5 x 23.6 x 0.4 inch
$2,009
Untitled composition
Giorgio Lo Fermo
Painting - 60 x 50 x 3 cm Painting - 23.6 x 19.7 x 1.2 inch
$1,674
Abstract Composition
Giorgio Lo Fermo
Painting - 58 x 58 x 3 cm Painting - 22.8 x 22.8 x 1.2 inch
$1,674
Colored artworks
The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.
Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.
In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.
More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.
It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."
Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?