Abstract 3 - Série Composition et Abstraction, 2026
Chantal Lascurettes  

Painting : ink, collage · 20 x 20 x 0.1 cm 7.9 x 7.9 x 0 inch · Ready to hang

€225 225 €
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Shipped from: France

Delivery to: France , € 20

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

20 x 20 x 0.1 cm 7.9 x 7.9 x 0 inch Height x Width x Depth

Artwork dimensions including frame

22 x 22 x 3 cm 8.7 x 8.7 x 1.2 inch

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Credentials

Vetted seller since 2018 • Top Seller

Description

This composition plays on the balance between the rigor of the line and the freedom of the gesture. The artist uses ink and collage to build a space where color becomes the main subject. Blue and yellow confront and merge in a game of subtle superimpositions.


The influence of engraving is felt in the precision of the planes. Each area is thought of as a note taken live, then reworked in the studio. Nature is not represented but suggested. It survives through luminous nuances and simplified geometric shapes.


The paper here welcomes layers of pigments that create visual depth. The eye circulates between blocks of saturated colors and more vaporous passages. The hybrid technique allows for the combination of the fluidity of ink with the materiality of collage. This work is part of a research into abstraction where the memory of the landscape guides the hand. The final rendering is characterized by solar luminosity and structuring vertical lines.

Abstract

Abstract art

Composition

Colors

Yellow

Sky blue

Chantal Lascurettes, Abstract 3 - Série Composition et Abstraction
France  • 1957

Presentation

After a first training cycle at the École des Beaux-Arts of Pau (64), I specialized in engraving under the direction of Jean-Marie Granier at the National School of Fine Arts of Paris. I diversified my artistic practice notably by working with ink which has become central today in my work with drawing as a basis.

From engraving to burin, I maintain a taste for meticulous work, and paper as a support. Nature is a subject of observation but also of dream, I do not seek to make it naturalistic; I observe the landscape for a long time, I let it infuse me, I draw quickly like taking notes then returning to the studio, often several months later the ink emerges. Sometimes it comes just from the color, but for me this color always stems from what I have been able to observe and carry within me, it is as concrete as a drawing of a tree and it is important to me that it carries emotion.

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