Trois Lotus - Portrait stylisé, Circa 2023
Marie Fang  

Painting : acrylic · 26 x 20 x 2 cm 10.2 x 7.9 x 0.8 inch · Ready to hang

€350 350 €
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Shipped from: France

Delivery to: Italy , € 32

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

26 x 20 x 2 cm 10.2 x 7.9 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2018 • Top Seller

Description

This captivating work features a pale-skinned figure with a shaved head, exuding an aura of contemplation. The slightly tilted face is accentuated by bold yellow and red eyelids, contrasting sharply with the soft green background. The half-closed eyes suggest quiet introspection. The subject's purple garment, accented with a black collar with white polka dots, adds a touch of elegance. To the right, a plain brown vase holds stylized dried flowers, expressing the passage of time. The grainy texture of the paint gives the whole a distinctive visual depth. This composition, at once simple and enigmatic, invites the viewer to delve into a reflection on identity and the passage of time. The work shines with its ability to combine minimalism with nuanced emotional richness.

Portrait

figurative

Colors

Women

Vase

Faces

Green

Purple

Marie Fang, Trois Lotus - Portrait stylisé

Marie Fang

France  • 2018

Presentation

I was born in Saigon, Vietnam. I live and work in Charente-Maritime. I sculpt imaginary characters in stone using the direct carving technique which was transmitted to me in the René Coutelle workshop in Paris. It changed my way of sculpting, my relationship with the material as well as the act of creating. It is at the origin of a new inspiration allowing me to move away from conventional figuration. This allows me to become one with the stone and in this controlled letting go, to animate its apparent inertia, shine after shine, so that its echo responds to my different inner echoes.

I try to translate a vision of reality which takes into account the natural specificities of the block of stone. In this “reorganization of the mineral", I try to account through a dynamic back and forth, this relationship between outside and inside and this in a relationship of proximity or shift, of rupture.

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