Diptych Changes, 2022
Dizlarka   Best sellers

Painting : acrylic, pencil, marker · 30 x 60 x 3 cm 11.8 x 23.6 x 1.2 inch · Ready to hang

$800 800 $US
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Shipped from: Spain

Delivery to: United States , $ 107

Estimated delivery: Less than one week

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 60 x 3 cm 11.8 x 23.6 x 1.2 inch Height x Width x Depth

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Credentials

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Description

"Diptych Changes": Dynamic Industrial Nature Diptych | Modern Art for Thoughtful Interiors & Decor

The set of artworks "Changes"
This diptych explores the destructive and healing power of human impact on
nature. In the first painting, polluted black water flows through cold industrial pipes, while a green sprout defiantly grows between them - a symbol of hope and resilience. In the second, a human-like figure merges with nature: one side lifeless and poisoned, the other vibrant and blooming. These works are a call for reflection and responsibility in how we treat our planet.

2 pcs 30x30 everyone

Portrait

Floral

figurative

Ecology

Water droplet

Diptych Artworks

Urban

Black

Green

Dizlarka, Diptych Changes

Dizlarka

Spain  • 1983

Presentation

Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.

Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.

Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.

Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.

Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?

Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.

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