Sub (II), Circa 2010
Painting : acrylic · 165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch · Ready to hang
$3,501
3 501 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 223
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This captivating work unfolds a symphony of monochrome tones in a vertical format, enthralling with its visual complexity and sinuous movement. At the apex, a circle with organic patterns establishes a connection with cosmic forces. The varied textures, blending smooth and granular, create a mesmerizing depth. A serpentine structure descends from the center, guiding the eye through an intricate network of geometric and organic forms. Each segment reveals layers of detail evoking urban landscapes or abstract creations. The contrast of grays and whites amplifies the sense of mystery, inviting further exploration. Through this dynamic composition, the artist combines technical mastery and creativity, offering an unforgettable visual experience.
Presentation
Lazare Cobalt is a French painter whose work lies at the crossroads of introspection, inspiration, and intuition.
Through his inner wanderings, he draws on the rarities of painting, literature, architecture, and cinema to compose layered works, where each layer diffuses ideas, emotions, and evocations. After a long gestation, a form of sublimation emerges, like a shared revelation.
His art is born from a secret conversation between mind, heart, and hands, a strange alchemy that reveals itself on the canvas. For him, painting is not merely a quest for visual seduction, but a persistent excavation of a buried truth, like an invitation for the observer to immerse themselves in their own depths, to the point of obsession.
His creation, both intimate and universal, works on the principle of communicating vessels: once exhibited, the work can resonate with the viewer.
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