Sub (IV), Circa 2010
Painting : acrylic · 165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch · Ready to hang
$3,515
3 515 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 224
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This captivating work features a hypnotic central swirl, composed of vibrant strokes in shades of blue and gray, evoking an infinite spiral. Below, a series of symmetrical vertical motifs emerges, distinguished by repetitive geometric forms that are both enigmatic and harmonious. Shades of yellow and black add a striking contrast, energizing the entire composition. Each geometric element appears meticulously ordered, creating a sense of rhythm and movement. The subtly integrated color palette accentuates the visual harmony, while the precise alignment of the motifs invites the viewer to delve deeper into the work's complex interpretation. This painting, through its methodical structure and dynamism, perfectly embodies a fusion of order and chaos, irresistibly captivating the eye and mind.
Presentation
Lazare Cobalt is a French painter whose work lies at the crossroads of introspection, inspiration, and intuition.
Through his inner wanderings, he draws on the rarities of painting, literature, architecture, and cinema to compose layered works, where each layer diffuses ideas, emotions, and evocations. After a long gestation, a form of sublimation emerges, like a shared revelation.
His art is born from a secret conversation between mind, heart, and hands, a strange alchemy that reveals itself on the canvas. For him, painting is not merely a quest for visual seduction, but a persistent excavation of a buried truth, like an invitation for the observer to immerse themselves in their own depths, to the point of obsession.
His creation, both intimate and universal, works on the principle of communicating vessels: once exhibited, the work can resonate with the viewer.
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