Sub (VII), Circa 2011
Painting : acrylic · 165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch · Ready to hang
€3,000
3 000 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 96
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This striking artwork presents a vertical composition where bold geometric forms intertwine with an earthy and blue palette. The main focus is on an inverted pyramidal figure, striated with ethereal shades of blue, evoking a cascade of vibrant energy. At the apex, a central white spiral appears to emerge, as if rising from a mystical vortex. Interwoven backgrounds of cubic and textured patterns add depth and an architectural dimension. The harmony of the visual elements creates a hypnotic effect, inexorably drawing the eye upward. This piece transcends mere aesthetics, inviting introspective interpretation and exploring the connections between energetic movement and static structure. The artist's technique is distinguished by its innovative use of contrasts and textures, imbuing the work with a captivating and unique dynamism.
Presentation
Lazare Cobalt is a French painter whose work lies at the crossroads of introspection, inspiration, and intuition.
Through his inner wanderings, he draws on the rarities of painting, literature, architecture, and cinema to compose layered works, where each layer diffuses ideas, emotions, and evocations. After a long gestation, a form of sublimation emerges, like a shared revelation.
His art is born from a secret conversation between mind, heart, and hands, a strange alchemy that reveals itself on the canvas. For him, painting is not merely a quest for visual seduction, but a persistent excavation of a buried truth, like an invitation for the observer to immerse themselves in their own depths, to the point of obsession.
His creation, both intimate and universal, works on the principle of communicating vessels: once exhibited, the work can resonate with the viewer.
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