Sub (XII), Circa 2012
Painting : acrylic · 165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch · Ready to hang
€3,000
3 000 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 96
Estimated delivery: Three to four weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This captivating work is structured in two distinct yet harmoniously integrated parts. Above, a spiraling vortex evokes a turbulent sky or a nascent cosmos, using shades of blue and white to create a hypnotic effect. Below, a complex labyrinth of geometric shapes in black and gold occupies the space, reminiscent of a futuristic city seen from above or printed circuits. The bold contrasts between dark and light hues lend depth and dynamism to the whole, while the thick texture adds a tactile dimension. The fusion of natural and urban elements gives the work a thematic richness, prompting reflection on the interconnectedness of humanity and the universe. With its remarkable visual intensity, this painting invites an inexhaustible exploration of its multiple meanings.
Presentation
Lazare Cobalt is a French painter whose work lies at the crossroads of introspection, inspiration, and intuition.
Through his inner wanderings, he draws on the rarities of painting, literature, architecture, and cinema to compose layered works, where each layer diffuses ideas, emotions, and evocations. After a long gestation, a form of sublimation emerges, like a shared revelation.
His art is born from a secret conversation between mind, heart, and hands, a strange alchemy that reveals itself on the canvas. For him, painting is not merely a quest for visual seduction, but a persistent excavation of a buried truth, like an invitation for the observer to immerse themselves in their own depths, to the point of obsession.
His creation, both intimate and universal, works on the principle of communicating vessels: once exhibited, the work can resonate with the viewer.
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