Sub (III), Circa 2010
Painting : acrylic · 165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 96
Estimated delivery: Three to four weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This intriguing artwork presents a vertical diptych where the duality of elements is masterfully explored. On the left, blue and brown hues blend, creating an aquatic and terrestrial texture that evokes both fluidity and solidity. Abstract motifs, such as undulating lines and arabesques, accentuate the dynamic movement. On the right, a lighter, more refined palette contrasts, illustrating an airy and ethereal world. Here, complex geometric forms are superimposed on organic symbols, suggesting a universe in constant transformation. A central circle divides yet unites the two halves, symbolizing the harmony between opposites. The interplay of light and shadow creates a striking depth, inviting reflection. This work captivates the viewer with its delicate balance and profound exploration of the natural elements.
Presentation
Lazare Cobalt is a French painter whose work lies at the crossroads of introspection, inspiration, and intuition.
Through his inner wanderings, he draws on the rarities of painting, literature, architecture, and cinema to compose layered works, where each layer diffuses ideas, emotions, and evocations. After a long gestation, a form of sublimation emerges, like a shared revelation.
His art is born from a secret conversation between mind, heart, and hands, a strange alchemy that reveals itself on the canvas. For him, painting is not merely a quest for visual seduction, but a persistent excavation of a buried truth, like an invitation for the observer to immerse themselves in their own depths, to the point of obsession.
His creation, both intimate and universal, works on the principle of communicating vessels: once exhibited, the work can resonate with the viewer.
Reviews from our customers
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