Sub (XIV), Circa 2012
Painting : acrylic · 165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch · Ready to hang
€3,000
3 000 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 96
Estimated delivery: Three to four weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This captivating artwork plays on a vibrant contrast between symmetry and chaos. On the left, concentric black and blue circles dominate, traversed by dark vertical lines, evoking a technological and musical atmosphere. On the right, a subtle transition occurs towards a luminous sky dotted with delicate clouds. In the center, a fraction line separates the two halves, marked by a vivid orange circular motif that captures attention with its intensity and contrast. This separation plays on the idea of duality, of the harmonious coexistence between mechanism and nature. The artwork engages the viewer with its dynamic balance and its bold use of color and form.
Presentation
Lazare Cobalt is a French painter whose work lies at the crossroads of introspection, inspiration, and intuition.
Through his inner wanderings, he draws on the rarities of painting, literature, architecture, and cinema to compose layered works, where each layer diffuses ideas, emotions, and evocations. After a long gestation, a form of sublimation emerges, like a shared revelation.
His art is born from a secret conversation between mind, heart, and hands, a strange alchemy that reveals itself on the canvas. For him, painting is not merely a quest for visual seduction, but a persistent excavation of a buried truth, like an invitation for the observer to immerse themselves in their own depths, to the point of obsession.
His creation, both intimate and universal, works on the principle of communicating vessels: once exhibited, the work can resonate with the viewer.
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