Quand le carton a des yeux, 2026
Painting : oil, marker, mixed media · 88 x 58 x 1 cm 34.6 x 22.8 x 0.4 inch · Ready to hang
£785
785 £GB
Shipping & delivery
Shipped from: France
Delivery to: United Kingdom , £ 102
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
oil , marker , mixed media on cardboard
Dimensions ( cm • inch )
88 x 58 x 1 cm 34.6 x 22.8 x 0.4 inch Height x Width x Depth
Artwork dimensions including frame
90 x 60 x 3 cm 35.4 x 23.6 x 1.2 inch
Sold by
Independent artist
Credentials
Vetted seller since 2021
Description
This bold and contemporary artwork presents a stylized, asymmetrical face where the diversity of colors immediately draws the eye. The single eye, a deep blue surrounded by a vibrant orange, contrasts sharply with the rest of the face, suggesting an analytical vision. The left side is marked by warm hues of red and pink, lending an emotional intensity, while the right side displays a soothing green. The distinct, rectangular contours of the mouth add a touch of rigidity, contrasting with the surrounding organic forms. The textured background, dotted with linear patterns in beige, creates subtle depth and structure. The daring use of vivid colors and geometric shapes weaves complexity into the apparent simplicity, making this work both intriguing and provocative.
Presentation
I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.
I express myself through painting as others scream or cry.
I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.
My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.
My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.
If my paintings could speak, they would surely say:
“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.
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