Fenêtre sur l'invisible, 2026
Painting : acrylic, wax, pencil, pigment ink, charcoal, lead mine, plaster, canvas, Pigments · 65 x 50 x 2 cm 25.6 x 19.7 x 0.8 inch · Ready to hang
€750
750 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 77
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
65 x 50 x 2 cm 25.6 x 19.7 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
70 x 55 x 3 cm 27.6 x 21.7 x 1.2 inch
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
This abstract work illustrates a bold exploration of color and texture. Dominated by shades of yellow and green, it evokes a soft, enveloping light. The center of the painting is occupied by a blurred rectangle, surrounded by touches of black that add depth and contrast. The juxtaposition of these colors creates a captivating visual dynamic, suggesting a subliminal landscape or a meditative state of mind. The use of successive layers of paint lends a quality of transparency, adding to the richness and complexity of the canvas. The blurred edges of the central rectangle facilitate a harmonious flow, engaging the viewer in quiet reflection. This composition embodies a discreet elegance, inviting contemplation.
Presentation
My paintings have been exhibited nationally, and some have been purchased abroad. For me, colors and shapes are the basis of abstract painting. I express myself primarily on wood or heavy linen canvases. These supports allow me to feel closer to reality and thus find greater balance in my work. I use various media such as binders, plaster, acrylic, charcoal, pencils, rare pigments, varnishes, and collage in my artistic process.
"The primary purpose of the material is not to give a sense of volume to the work. It must be left in its imprint state, it must remain, nevertheless, as a founding part of the project, upon contact with it the work comes to life."
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