Le temps de la réflexion, 2026
Painting : acrylic, pencil, collage · 50 x 40 x 2 cm 19.7 x 15.7 x 0.8 inch · Ready to hang
$677
677 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 116
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
50 x 40 x 2 cm 19.7 x 15.7 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
53 x 43 x 3 cm 20.9 x 16.9 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
The gaze gets lost in a dense and colorful assembly. The collage imposes itself here as a rich visual language. Fragments of ancient texts intertwine with generous floral motifs. A feminine figure, delicate and pensive, occupies the center of the composition. She seems to emerge from a dreamlike garden where reality fragments.
The technique precisely mixes acrylic, pencil, and cut paper. Chromatic contrasts attract the eye. A bright goldfish cuts through the softness of roses and lilies. Each superimposed element creates a narrative depth. The figurative style departs from reality here to explore a composite imagination.
The balance rests on the opposition between the rigor of typographic impressions and the freedom of pictorial touches. The flowers, in orange and blue hues, frame the scene with natural grace. Particular attention is paid to the graphic details, such as the red capital letters that punctuate the edges of the support. The whole forms a complex visual narrative, created in 2026.
Presentation
Régis Ducellis is a collage and mixed media artist based in the Arcachon basin.
Holding a Master's degree in multimedia, he has worked for fifteen years as an art director and illustrator, mainly in Bordeaux.
These years of visual creation have forged his eye, his compositional rigor, and his sense of narrative through images. Tired of an increasingly timid advertising world and creative content that he finds always more watered down, he decides to return to a more spontaneous, rawer, more personal practice. Analog collage, a natural extension of his digital compositions, becomes his preferred medium.
He progressively adds painting, pencil, and various materials, developing a mixed media approach built by layers and accumulations. His universe mixes lush vegetation, fragmented figures, found texts, and superimposed materials. He cultivates a dreamlike territory where softness coexists with the strange, and where each work remains open to the interpretation of whoever looks at it. Régis works on canvas, wood, and any material he crosses his path.
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