Sans titre, 2026
Painting : acrylic, pencil, collage · 40 x 30 x 2 cm 15.7 x 11.8 x 0.8 inch · Ready to hang
€480
480 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 55
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
40 x 30 x 2 cm 15.7 x 11.8 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
43 x 33 x 3 cm 16.9 x 13 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
The image unfolds like a visual diary. The collage imposes itself here as a language. Fragments of paper, typographies, and photographic cuts assemble to create a fragmented narrative.
In the center, a female figure seems absorbed by anguish or meditation. She wields a hammer toward an amplifier, a symbol of noise and sonic chaos. This suspended gesture suggests a desire to break the silence or, conversely, to stifle the din.
The composition plays on marked chromatic contrasts. The solar yellow of the dress dialogues with the deep blue of a bird in flight. Delicate flowers intertwine with urban and industrial elements. The technique mixes acrylic and pencil to bring relief and precision to the details.
The whole forms a complex superposition of symbols. References to nature and modernity are found in it. Each layer reveals a new level of reading.
This figurative creation of 2026 explores the tension between inner calm and outer agitation. The gaze circulates between the cut-out letters and the organic patterns. The emphasis is placed on the material and the density of the support.
Presentation
Régis Ducellis is a collage and mixed media artist based in the Arcachon basin.
Holding a Master's degree in multimedia, he has worked for fifteen years as an art director and illustrator, mainly in Bordeaux.
These years of visual creation have forged his eye, his compositional rigor, and his sense of narrative through images. Tired of an increasingly timid advertising world and creative content that he finds always more watered down, he decides to return to a more spontaneous, rawer, more personal practice. Analog collage, a natural extension of his digital compositions, becomes his preferred medium.
He progressively adds painting, pencil, and various materials, developing a mixed media approach built by layers and accumulations. His universe mixes lush vegetation, fragmented figures, found texts, and superimposed materials. He cultivates a dreamlike territory where softness coexists with the strange, and where each work remains open to the interpretation of whoever looks at it. Régis works on canvas, wood, and any material he crosses his path.
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