Sideros, 2026
Painting : acrylic, chalk, canvas, mixed media · 40 x 40 x 4 cm 15.7 x 15.7 x 1.6 inch · Ready to hang
€580
580 €
Shipping & delivery
Shipped from: Italy
Delivery to: Germany , € 70
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
acrylic , chalk , canvas , mixed media on canvas
Dimensions ( cm • inch )
40 x 40 x 4 cm 15.7 x 15.7 x 1.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
This painting emerges from a deep meditative silence. The surface feels alive. It is a textured topography of emotion. The artist employs acrylics and crackle paste to build a dense physical presence. Layers overlap like memories.
A neutral background provides a quiet sanctuary. Suddenly, earthy tones erupt in the center. Warm ochre and deep burnt sienna create an organic flow. These pigments suggest rust, soil, or ancient minerals. The composition oscillates between tension and stillness.
The gaze wanders across fractured plains. Every crack reveals a hidden vulnerability. It is a dialogue between strength and fragility. Material becomes a metaphor for time. The artwork does not describe a place but evokes a state of being. It invites the viewer into a secular prayer. The eye settles on the contrast between the luminous pale light and the dense, oxidized core. This visual weight anchors the composition in a physical reality while the surrounding void suggests the spiritual. The result is a contemplative space. It is a passage through the invisible rendered in tactile pigments.
Presentation
Gabriela Aleksandra Szuba, known as GAS, is a Polish artist based in Italy. With an academic background in economics, she later embraced an autonomous artistic journey, driven by a deep spiritual search and the desire to give form to the unseen.
Her work emerges from silence and unfolds as a meditative act. Using acrylics, crackle paste, pigments and gold leaf, GAS crafts vibrant, textured surfaces where every fracture holds memory and every layer becomes emotional terrain. The material becomes time, the crack a scar, and the gold a glimmer of sacred presence.
Her paintings do not depict; they evoke. Cracks speak of vulnerability and strength, of a holiness revealed through imperfection. Her palette — deep, restrained, at times dramatic — opens contemplative spaces, poised between tension and stillness, body and spirit.
Each title is a threshold: a symbolic entry into a suspended realm where visual language becomes meditation, a secular prayer, a passage through the invisible.
Her works have been exhibited in Italy, Switzerland, Argentina, and the United Kingdom, in spaces dedicated to contemporary research and the dialogue between artistic languages. For GAS, every exhibition is a natural extension of the creative process — a moment of shared introspection.
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