Promenade solitaire en bord de mer, 2025
Painting : Posca · 15 x 10 x 3 cm 5.9 x 3.9 x 1.2 inch
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 66
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
15 x 10 x 3 cm 5.9 x 3.9 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2014 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
We are at the beach, a day of stormy sky. The solitary human figure blends into the background, suggesting a mysterious and timeless presence. The sky comes alive with bluish and white hues. The gaze gets lost in a dense mesh of crossed lines.
Inspired by a famous painting by the German painter Caspar David Friedrich dating from 1808-1810, Nadège Dauvergne created this expressive work on an innovative support: a thick medium of wood fibers that can be hung on the wall or placed on a shelf. Her inimitable technique with Posca thus pays homage to the History of Art. On the back of the work are the complete palette of Posca shades used by the artist, as well as the essential information: title, date, signature, technique, and reference to Friedrich.
Presentation
Most street artists are self-taught. Not her. It is after having followed classical studies at the Beaux-Arts, and taking with her a solid cultural and technical background that Nadège Dauvergne turned to urban art.
I grew up in the suburbs of Paris and the world of graffiti has always attracted me, I liked to hang out near the railroad tracks in the wastelands, these are inspiring places," explains the artist. Her work in the street has logically come to feed her works sold in galleries.
In recent years, she has been working on two recurring themes: the (mostly) female figures of academic painting or sculpture that she introduces into the world of urban contemporary art on the one hand, and wild animals that venture into the city on the other. In both cases, these women and these animals, immigrated in an environment which is a priori foreign to them, manage not only to survive, but transfigure their new environment by irradiating it with their mysterious and timeless grace.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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