Woods of Strife 03, 2021
Yasuo Kiyonaga   New & remarkable Artists

Photography : pigment ink, inkjet, digital, paper · 48 x 32.6 x 0.1 cm 18.9 x 12.8 x 0 inch · Ready to hang

$934 934 $US

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Shipped from: Japan

Delivery to: United States , $ 89

Estimated delivery: Five to six weeks

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About the artwork

Type

Photography : numbered and limited to 5 copies

3 copies available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

48 x 32.6 x 0.1 cm 18.9 x 12.8 x 0 inch Height x Width x Depth

Artwork dimensions including frame

59.9 x 44.6 x 3 cm 23.6 x 17.6 x 1.2 inch

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Credentials

Vetted seller since 2020

Description
I visited the forest of Mount Kurama north of Kyoto.
Without a word, the trees and plants of the forest pierced the hard earth and crushed the rocks to
take root. There, they sprouted, extending their branches and growing leaves.
I shuddered at the endless struggle I witnessed in silence.
I tried to mingle with them, but they rejected me.
Feeling alienated, I pressed the shutter button.
I took these photos to get closer to the forest’s passion.
Yasuo Kiyonaga
*Kurama Temple, Mount Kurama
Mount Kurama in northern Kyoto has been considered a sacred mountain for over 1,200 years, since
Gantei founded Kurama Temple in 770.
Known since ancient times as “the closest and deepest nature to Kyoto,” the mountain is home to an
interconnected network of animals and plants that form an ecosystem.

Landscape

Eastern Art

Environmental art

Japanese Art

Forest

Yasuo Kiyonaga, Woods of Strife 03
Japan  • 1948
153 followers

Presentation

A photographer based in Tokyo, Kyoto, and Paris. 

Born in 1948 in Kagawa, Japan. 

In his photographic work, Yasuo Kiyonaga interprets nature, villages, cities, people, and everything else in our lives in surrealistic ways. The subjects captured in his viewfinder are freed from their original contexts and given new shapes and significances.

Many of his works are associated with the abstract arts of cubism and surrealism. 

His output is not limited to photography. Using his unique skills, he beautifully combines seemingly incompatible concepts such as photographs and paintings, nature and the artificial, two-dimensional and three-dimensional, past and future, and dreams and reality, and sublimates them into art.

In 1966, strongly influenced by the two photographers Jean-Eugène Atget and Aaron Siskind, Yasuo Kiyonaga began studying photography. In 1970, after graduating from a college photography program, he started working for Recruit Co., Ltd. as a staff photographer, who mainly photograph the workers in Japan. In 1980, he left the organization and established his own company, SHC, which specializes in the planning and production of corporate communication content which was not well known at the time.

Yasuo Kiyonaga focused on the field of photojournalism for a long term and grew SHC into a company with 150 employees. Even today, this company remains an industry leader. In addition to its core business, it is also boldly taking on new challenges that are ahead of the times. The ideas, critical eye, and decision-making skills honed through these experiences have become the source of his creative activities.

In 1995, he resumed his career as an artist and opened a series of galleries in Tokyo, Kyoto, Paris, and online to display his works and those of other  photographers. He is the owner of the online photo galleries Kyoto Museum of Photography, as well as the physical galleries Kyoto Museum of Photography,  Gallery Artisan Tokyo and Gallery Japanesque Paris.

His works have been exhibited across Japan, including Spirit of Forest at Epson Imaging Gallery Epsite (2010), Hanoi × 6% at Kintetsu Department Store Abeno Harukas Art Gallery (2020), and Identity and Two Landscapes at Kyoto Museum of Photography Gallery Japanesque (2020). 

Yasuo Kiyonaga has published several books, including Leslie (1999), Spirit of Forest (2007), Paris Sketch (2012), the Japanese Beautiful Landscapes series (from 2008), Japanese Tools (2015), and Ujo (Senses of Rain) (2016). 

As part of his lifework, he has photographed ancient capitals, rural villages in Japan and other countries and compiled his pictures into books.

He is a member of the Japan Professional Photographers Society (JPS).

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