Bronze Sculpture for Sale
Hamami, Istanbul from the Mani series, 1992
Photography : color edition, archival pigment print · 69.9 x 97.8 x 0.3 cm 27.5 x 38.5 x 0.1 inch · Ready to hang
CHF 3,032
3 032 CHF
Shipping & delivery
Shipped from: United States
Delivery to: Switzerland , CHF 303
Estimated delivery: Less than one week
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 6 copies
3 copies available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
69.9 x 97.8 x 0.3 cm 27.5 x 38.5 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
83.8 x 104.1 x 5.1 cm 33 x 41 x 2 inch
Sold by
Credentials
Vetted seller since 2019 • Top Seller
Description
This series of photographs were taken for a European calendar. The idea was to create postcards with several countries on different continents, in the images the artist decided to clone the models.
The Postcard Cagaloglu Hamami, 1992 27.5 x 38.5 in. 33 x 41 in. framed Exp. 3/6
This artwork presents a striking scene set in an opulent, classical bathhouse. The composition masterfully captures the interplay of light and shadow, with radiant beams filtering through the architectural space to illuminate the figures. The central focus is on a group of women, their nude forms elegantly posed as they wrap themselves in pristine white towels. The artist skillfully emphasizes the contrasting textures of smooth skin and soft fabric, creating a dynamic visual tension. The atmospheric environment of the bathhouse is depicted with meticulous attention to detail. The arches and columns evoke a sense of grandeur, suggesting a setting steeped in history and tradition. The subtle use of perspective draws the viewer's eye deeper into the scene, highlighting the receding lines of the architecture and the glimpses of distant figures engaged in quiet conversation. A unique element of the artwork is the inclusion of an oversized postage stamp in the upper left corner, adding an intriguing dimension and suggesting themes of communication or travel. This unexpected detail invites viewers to ponder the connection between the depicted scene and the outside world. The art piece stands out for its harmonious blending of realism and surrealism, capturing a moment of serene introspection while inviting exploration of its deeper narrative layers. Overall, the artwork is a testament to the artist's refined technique and imaginative vision.
Presentation
Born in Bergisch-Gladbach, Germany, Uwe Ommer became fascinated with photography at a young age. Initially sparked by his interest in photographing birds, he received his first camera at age 14 and began experimenting with his limited equipment. By the time Ommer was 18, he had given up on birds, but was improving his skills as a photographer. He began working as an apprentice in a camera shop and soon picked up side projects for local papers, shooting everything from car accidents to weddings, when staff photographers were unavailable.
In 1962, Ommer was awarded the first Deutscher Jugend Photo Preis (German Youth Photo Prize) at Photokina 1962 for his photograph of children playing soccer. The following year, he left for Paris (for only one year to learn French, he insisted) and began working as an assistant to advertising photographer Jean Pierre Ronzel. While Ommer did perfect his French, he never did leave Paris.
In 1966 he opened his own photography studio, primarily shooting fashion and advertising photos for small women's magazines. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book.
In 1995, Ommer drastically changed gears and decided to embark on a project unlike anything he had ever done before – a project unlike anything anyone had ever done before. As a personal challenge, he set out the following year to document all types of families on every continent at the turn of the millennium. With a Landrover, Rolleiflex camera, portable studio, one assistant, many maps, many guidebooks Ommer visited 130 countries in the following four years, interviewing and photographing over 1000 families. Taschen published the catalog titled “1000 Families" in 2000 when the photographs were first exhibited to the public in Cologne, Germany in September at Photokina 2000. Since then, the exhibition has toured the world and has received praise for the scope and beauty of the photographs, and their simple message of commonality.
In 2002, Uwe Ommer was awarded an Honorary Fellowship to the Royal Photographic Society for the impact of his lifetime of work.
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